I mentioned yesterday that my contribution to the Syndicate review forum on Linda Zerilli’s book touched upon the similarities and differences between her critique of affect theory and that developed by scholars associated with the ‘nonsite school’ of cultural criticism. In the spirit of dialogue encouraged by the Syndicate platform, Todd Cronan, one of the editors of nonsite.org, has posted a comment engaging with my own comments and Linda’s response, addressing ideas of intentionality, objectivity, interpretation and truth. Zerilli’s book elaborates on a political sense of objectivity indebted to Hannah Arendt, revolving around the theme of the conditions of sharing in a common world with others; Todd’s comment specifies some differences and clearly states the position associated with the nonsite school. The comment is a little hidden, so here it is in full:
“There is much to say here but there is one thing in particular–the question of objectivity–that makes what many of us at nonsite say unrecognizable. So there are several problems with the idea that “intentionality is closely associated with claims to objective truth.” The first is that, for us, intentionality is much more than closely associated with truth, it’s incomprehensible without it, and the second is that although Zerilli may think there’s some connection between truth and objectivity, we don’t; objectivity is not only not closely associated with truth, it’s not associated with truth at all. So on the one hand, there’s no meaning without intentionality and no meaning without truth, which is just to say that both meaning something and understanding something are normative–all interpretations must be either true or false (or some combination of the two). But on the other hand, no interpretations are objectively true or false.”
There’s much more to say around these issues, no doubt, not least, I suspect, some important disciplinary differences across fields of political theory and aesthetic theory. Some of these issues might well be further aired in a forthcoming ‘Tank’ in nonsite considering the significance of Ruth Leys’ recent book The Ascent of Affect. More on that when it appears.