My Loss Library

RPostI mentioned way back now, before Christmas, a book that I picked up when I was in Bloemfontein, The Loss Library and other unfinished stories, a collection by Ivan Vladislavic about “stories I imagined but could not write or started to write but not finish” – stories from which characters wandered off into other stories, or from which episodes escaped to turn up in other novels. Of course, by writing a book about these ‘failures’ and false starts, Vladislavic has managed at least in part to cash-out the original intuitions behind these characters, episodes, and plot-lines, if only at a tangent to his original intentions.

I have been confronted with my own loss library, of sorts, in the last couple of weeks, as I have been going through piles of paper in boxes and draws as I prepare for an office move. I have been doing quite a good job of throwing lots of paper out – unread photocopied journal articles on topics I once imagined I might need to know about for imagined projects which now, at this juncture in life, I am confidently able to say that I will never get around to even starting. And then there are the remnants of projects started but never finished, of half-written papers, of book proposals not picked-up by publishers, of unsuccessful research grant bids.

– There are my first, unsuccessful bids for ESRC funding (on publishing and global culture, on food and media), and failed bids for research in South Africa (on media and understandings of crime and violence, for example).

– There are uncompleted grant proposals (on notions of European identity in city of culture programmes, the trace of a year-long conversation with Denise Meredyth about governmentality and cultural policy.

Scan 130690012-15– There are unwritten papers, on the ‘sexing’ of communications technologies in First Amendment jurisprudence, an idea developed during a summer spent in the Law School library at Ohio State in 1998; notes and drafts of a paper on the ‘normalization’ of apartheid in academic debates about South African democratization in the mid-1990s, fragments of lunch-time conversations with Kevin Cox that same summer; drafts of a jointly authored paper with Peris Jones on the strange career of BopTV, the television station of the ‘independent’ homeland of Bophuthatswana, which survived until the late 1990s, and which we thought could serve as an interesting entry-point to think about the politics of regionalism after the end of apartheid.

– There are notes of some initial research at the BBC archives at Caversham, in Reading (I didn’t like the idea of travelling too far to an archive), on the role of Lord Reith in the early history of South African broadcasting (Reith travelled to South Africa in 1934, to advise on the setting-up of a broadcasting service which would enhance the development of ‘the Union’ (Reith’s diaries from this trip consist mainly of griping about the quality of the service he experienced on his travels).

None of these projects are completely off the wall, in retrospect: they seem to be examples of me working out ideas about media, South Africa, democracy, cultural policy, Foucault, textual publics, that sort of thing, the sorts of things I did (and sometimes still do) worry about and have worked on through other projects. There does seem to be a strain of my former self trying to find ways of writing in a more sustained way about popular culture, which perhaps I have never quite found the courage to do. Maybe that’s what one should do on a blog?

If piles of paper and files of unfulfilled projects are part of my ‘extended mind’, or the ‘prosthesis’ of my own ‘individuation’ (depending on what theory you favour), then what will happen to me if I throw out these traces of ambition and failure?

Is cultural activity really epistemological struggle?

Picture 044I spent a few days in Liverpool over the Christmas break, and while there I tried to take advantage of being in a Capital of Culture, as was. The main attraction was an exhibition at the Bluecoat of prints by William Kentridge, The Universal Archive. This solo exhibition provided an interesting contrast to my last proper High Culture experience, back in Oct/Nov, during my trip to Bloemfontein. Bloem’ has great art gallery, it turns out, the Oliewenhuis. They had an exhibition People, Prints and Process, of various print-based art works produced by artists associated with the Caversham Centre with which Kentridge is closely involved. This exhibition contained one or two pieces by Kentridge, but alongside the work of lots of the artists using print as their medium. The prints in the show currently in Liverpool (it’s moving on soon I think) are actually slightly out of context, in a sense – they are of course rather static, but bring to mind the more animated works by Kentridge for which they often seem to serve as templates or testing grounds, or perhaps, traces (this exhibition didn’t have any of his films on show – not necessarily a bad thing – I always find it really difficult to watch arty film in a gallery space).

It was interesting to see these two exhibitions in close succession – in the exhibition at the Oliewenhuis, Kentridge is one almost a bunch of other South African artists, and the sense of print as a distinctively African medium was to the forefront – as well as how print is a vernacular, mass medium rooted in the textures of local life, as exemplified by the widespread use of linocut techniques. Whereas in the Universal Archive exhibition, Kentridge is presented as the internationally famous artist from South Africa.

I am not making a political point (and this is not my field of expertise), just reflecting on the experience of seeing the same bits of art in two different contexts – not just two different places (sunny and warm, cold and rainy), but seeing one or two of the same pieces sitting alongside works by other artists compared to making up part of a whole collection by the same artist. The difference, in fact, between the two sites, the two fields, enhances one’s appreciation, all around.

 

Browsing as ethnography?

Does book-browsing in a foreign country count as a way of doing ethnography of the public intellectual culture of that place? I like to think so. Bloemfontein, where I have been spending this week at a workshop, and doing other bits and bobs, has a decent range of bookshops – at least two branches of Exclusive Books, the nation-wide bookstore, but also a good University-related Protea bookstore. There are a lot more Afrikaans-language books here than in Durban, where I have spent most of my time in South African before now, not surprisingly (including a Christian family bookstore called CUM books, believe it or not). The politics of Afrikaner identity is very much alive a live issue in the Free State, it seems.

Anyway, on my observation, there are a few publishing trends which seem interesting. One is the blossoming of SA-based and authored crime fiction – although more interesting, I think, is the work of Lauren Beukes, who writes sci-fi, of a sort, but really dystopic urban noir about South African cities the day after tomorrow – I am half way through Moxyland,  based in a near-future Cape Town, and have Zoo City, about Johannesburg, packed in the bag to take home.

There are also a lot of books about contemporary ANC politics, more than there were a decade ago or less even, some of them histories or biographies, and an interesting series of short books on current hot topics published by Jacana press, as well as lots of things about ANC politics right now, a month or so away from the big Indaba to be held here in Mangaung, where the conflicts about the Zuma leadership will be settled, one way or the other.

If I were here longer, I’d be reading all these – South African TV is designed to encourage reading. But I’m here just for a fleeting visit, enough only to start the newly published biography of JM Coetzee (600 pages, and he doesn’t write a novel ’til 200+ pages in – and nor had he led an exciting life before that), and the ever wonderful Ivan Vladislavic’s short collection The Loss Library, about writing-projects imagined and/or started but never completed – a topic close to my own heart.

Book on Media and Democracy in Southern Africa

Here is an open access link to an edited collection of essays on Southern African media issues – it’s not a new book, it was published in 2001, but is now out of print, so one of the editors, Keyan Tomaselli, has made it available on the website of the Centre for Communication, Media and Society at the University of KwaZula-Natal.

Even though it’s now a decade old, and politics and media have both moved on somewhat, it’s still a valuable resource, not least as a model of a certain sort of scholarly experiment. It’s notable as a product of a genuine intellectual dialogue of scholars from across the Southern African region, not just SA, and indeed, of South-South dialogue, involving as it did scholars from Jamaica too – this is the sort of dialogue pioneered by the cultural studies centre in Durban going back to the 1980s at least.

It is the product of a workshop held in 2000 in Durban, at what I now remember as having been an interesting turning point in regional history: the Hansie Cronje affair had just broken, leaving South African public culture reeling it seemed, and the violent repression of opposition in Zimbabwe also kicked-off at just about this time – a number of those attending the workshop flew in from, or were deeply engaged with politics in Zimbabwe.

My piece in the collection is about broadcasting and telecoms policy in South Africa and the broader region, and issues of democracy and scale more abstractly. Those were the days.

New(ish) book by Hein Marais

Via the excellent Books LIVE, home of South African related literary/publishing news, I have just noticed a link to the Introduction to the new book by Hein Marais, South Africa Pushed to the Limit, actually published last year, I’ve only just found out, a bit out of this world these days, it’s a sequel of sorts to his 1998 book South Africa: Limits to Change. Here too is an interview with him talking about the book from last year at Think Africa Press.

Is governmentality a dirty word?

What difference, I wonder, has the publication in English of Foucault’s lecture course on The Birth of Biopolitics, which aren’t, after all, actually about biopolitics, made to ‘hegemonic’ theoretical accounts of the rise and spread and future of neoliberalism? The newly available ‘voice’ of Foucault in these and other lecture courses might well support the established interpretative conventions under which neoliberalism appears as an object of critical approbation.  

There is plenty there that will be grist to the ‘neoliberalization’ mill, providing a further impetus to the instrumentalization of ‘governmentality’ and ‘biopolitics’ as the descriptive adjuncts to a recidivist Marxist narrative in which ‘the State’ has come to directly voice the interests of a singular capitalist class, and to diffusionist accounts of the spread of ‘neoliberal reason’. Foucault can easily be made to seem remarkably prescient in focussing so much attention, way back in 1979, on the cusp of the Thatcher and Reagan ascendency, to the topic of neoliberalism. There is a sense of inevitability that the publication of these lectures will just give further impetus to the trend analysed by my colleague John Clarke, for ‘neoliberalism’ to become an object without which the contemporary academic left just could not live.

Is Foucault criticizing neoliberalism in these lectures?

On closer inspection, of course, Foucault’s account of ‘neoliberalism’ is not straightforwardly a critique of a free-market, laissez-faire ideology at all: Foucault’s ‘neoliberalism’ isn’t just about ‘free markets versus the state’ for a start; and it might not even be a critique. His account reconstructs economic liberalism as a line of thought in which markets are conceptualised as a model for limited government, a model which does not appeal to ideals of a subject naturally endowed with rights. In this respect, in the emphasis on thinking about neoliberal thought as a quite specific tradition of thinking about legitimation, the state, and law, there are some interesting overlaps with Raymond Plant’s recent account of neoliberal thought. This emphasis makes quite a lot of difference, I think, to how an assessment of what’s wrong with neoliberalism in theory and practice could even get off the ground (it means, for example, restoring to view the philosophical issues at stake in 1920s and 1930s debates about ‘socialist calculation’, in which issues of empiricism, rationalism, and the possibilities of imagining and institutionalizing genuinely democratic governance of economic relationships were central; the elision of this dialogic context from which neoliberalism emerges is symptomatic of a rather important silence in existing critical accounts of neoliberalism when it comes to thinking seriously about alternative models of democratic politics and policy).

Foucault’s lectures on neoliberalism certainly bear the unmistakable trace of their own moment, a context of distinctively French debates, for example, about the state, channelled through a reflection on the trajectory of the post-war German SPD. Foucault presents the SPD’s Bad Godesburg moment as indicative of more than simply a submission to electoral logic, but more ‘positively’ as one moment when socialist politics acknowledged the imperatives of governing.  

It’s this interpretation of the trajectory of twentieth-century left-wing political thought that is one of the most interesting aspects of these lectures. Two thirds of the way through the year’s course, Foucault gives two reasons for spending so much time on this particular intellectual constellation of economic liberalism, one methodological (trying to test whether the analysis of relations of power rolled out the previous year translates to this subject matter); and one related to what he calls ‘critical morality’. It’s this second reason that is both a direct index of one aspect of the historical context of the lectures, but which also provides perhaps the most interesting interruption, as it were, to contemporary formations of the political significance of ‘Foucault’.

A recurrent theme in the lectures is the ‘phobia of the state’, and the suggestion of a link, an elective affinity of sorts, between right-wing neoliberal ideas and left-wing critiques of the state as capacious, bureaucratic, omnipotent, violent, paternalistic. This feature of the lectures presents a puzzle – Foucault is hardly a friend of the state, after all. The consistent theme in Foucault’s political thought of de-centring the state from the imagination of power is not only a theoretical claim, it’s clearly a normative position too, implying the need to decentre the state as the privileged locus of attention in imagining political action. The puzzle becomes a bit less puzzling when Foucault talks about the way in which state phobia encourages what he calls ‘the interchangeability of analyses’ – how it makes possible the running together of different sorts of analysis into a general critique of ‘the state’. State phobia turns out to be a mirror image of statism – both fail Foucault’s ‘test’ of genuinely innovative thought about power, as it is articulated in these lectures at least, which is to face up to the challenge of thinking positively about the exercise of power rather than simply denouncing it (the sense of governmentality as the unthought dimension of left-politics in these lectures is surely a challenge to those attempts to re-claim Foucault for an old-fashioned revolutionary image of politics).

Is this just a 70s thing?

There is an interesting coincidence between Foucault, identifying this ‘critical’ intention behind his treatment of neoliberalism, and Stuart Hall’s canonical analysis of Thatcherism, which dates from the same time – 1978, 1979, and 1980. What both accounts share is a polemical background in which it is the habits of left politics and theory that are a constant target. As Michael Berubé has argued, Hall’s conceptualization of Thatcherism/neoliberalism was directed as much, if not more, to developing a critique of established conventions of left-thinking as it was with analysing right-wing conservative politics per se. Berubé’s point is actually that this aspect of Hall’s analysis has largely been overlooked, in the US context in particular, with the result that many of those theoretical-critical habits remain prevalent, with some unfortunate consequences.

Foucault’s critique of left habits of criticism is less sustained in these lectures than was Hall’s, amounting to a few passing, suggestive remarks. But the same question arises as that raised by Berubé in his defence of the continuing relevance of Hall’s thirty year old analysis of Thatcherism, of whether the challenge his account of neoliberalism presents to inherited habits of left criticism will be acknowledged or glossed over.

The relevance of this dimension of Foucault’s neoliberalism lectures does seem to be attracting attention amongst some commentators. Colin Gordon, for example, has suggested that the ‘critique of critique’ contained in the 1979 lectures might require ‘wide swathes’ of contemporary critical thought to be re-assessed. Paul Patton, who has been writing some interesting things about how Foucault might turn out be ‘more normative’ as a thinker than we are meant to believe, picks up on the same element of the 1979 lectures – to raise question of what sort of critical project is performed by this analysis of neoliberalism. Michael Behrent goes even further, arguing that Foucault actually seems to be ‘strategically endorsing’ neoliberalism, and for reasons which are quite consistent with a long-standing anti-humanist perspective.

I think the most forthright response to the sorts of challenge which Gordon, Patton and Behrent identify in Foucault’s lectures on neoliberalism comes from James Ferguson, who has a new essay on ‘Toward a left art of government’ in a special edition of History of the Human Sciences dedicated to assessing Foucault’s impact across disciplines. There is no mention in this collection of Foucault in Geography, but Ferguson’s account of Foucault in anthropology overlaps with and certainly resonates with the world of geography. Indeed, this piece is a more succinct version of an argument on ‘the uses of neoliberalism’ that Ferguson elaborated last year in Antipode. In that piece, Ferguson articulated the reasons why the running together of Marxist accounts of neoliberalism and those inflected by Foucault’s account of governmentality hides from view a quite distinctive political sensibility which might be retrieved from the analytics of governmentality. Ferguson identifies a standard style of critique as denunciation of exploitation, inequality and oppression, but suggests this might be rather limited: “But what if politics is really not about expressing indignation or denouncing the powerful? What if it is, instead, about getting what you want?” This latter question, he continues, “brings us very quickly to the question of government. Denunciatory analyses often treat government as the simple expression of power or domination—the implication apparently being that it is politically objectionable that people should be governed at all. But any realistic sort of progressive politics that would seek a serious answer to the question “what do we want?” will have to involve an exploration of the contemporary possibilities for developing genuinely progressive arts of government.”

The challenge of developing progressive arts of government that Ferguson is presenting in these pieces is, it should be said, not necessarily dependent on a claim to the textual authority revealed in the ‘new and improved’ Foucault (for one thing, the fundamental normative break indicated by the notion of governmentality, around thinking about freedom as a real and not illusory dimension of the exercise of power, is already clear in the first volume of The History of Sexuality and other pieces available for two decades now – the really interesting question to ask is why this shift has been so difficult to acknowledge from within the confines of contemporary left theory – the exceptions might be some strands of queer theory, and a pragmatist strain of cultural policy studies that flourished in Australia in the 1980s and 1990s).

Ferguson’s arguments draw as much from the empirical work he has been involved in Southern Africa (and for that reason, his ambition to develop “a truly Foucauldian politics” seems to me to be rather irrelevant). Ferguson recommends the cultivation of a political sensibility of ‘empirical experimentation’ rather than of denunciation and resistance. This recommendation draws on his work on the politics of development and poverty alleviation, not least in South Africa. Now, South African social policies have become one paradigm for the established narrative of neoliberalization, focussing on the privatization of services through cost recovery schemes in water, electricity, housing and related sectors. The degree to which these observable empirical processes actually confirm a ‘neoliberalization’ narrative has been challenged, however, for example by Jenny Robinson and Sue Parnell – they argue that the developmental imperatives at work in Global South contexts like South Africa might be much more ‘determinative’ of the politics of travelling policies than the putatively ‘neoliberal’ content of any specific market-related mechanism. Ferguson’s story is along the same lines, arguing that the observable trend for the expansion of social payments to the poor across much of the developing world demands more than an analysis based on suspicion and denunciation. Ferguson suggests that the difficulty that left-academic analysis has in acknowledging these forms of governmentality as potentially progressive arises from a problem identified by Foucault in his lectures of neoliberalism, namely the failure to develop what he called, way back then in the 1970s, a ‘socialist’ rationality of government. Ferguson’s implication is that you can in fact find in certain fields of contemporary development policy the outlines of distinctively left arts of government.

One thing that Ferguson’s argument asks of us is to rethink the long-standing tendency to think of ‘technical’ or ‘administrative’ procedures and practices as vehicles of de-politicization. Of course, this assumption is basic to a standard style of critical analysis: demonstrating that such procedures and practices are really political, not merely technical, is the first trick of critical analysis; then pointing out that they are doubly political because they also effectively de-politicize or cover over their own political status, that’s the second, more advanced trick. Here is Ferguson, on this critical procedure in anthropology, but which is familiar too in geography, cultural studies, and so on:

the characteristic strategy is to use Foucauldian analysis to reveal the way that interventions, projects, etc., which claim to be merely technical or benevolent, really involve relations of power. This is a perfectly reasonable thing to do, but too often, in this field, such a simple demonstration is apparently seen as the end of the exercise. Power has been ‘critiqued’, an oppressive system has been exposed as such, and that seems to be taken as a satisfactory end to the matter.” (2011, p. 62).

Ferguson suggests that this model of critique is actually closely related to a more fundamental predicament of the left:

The predicament is that the left seems increasingly to be defined by a series of gestures of refusal – what I call ‘the antis’ (anti-globalization, anti-neo-liberalism, anti-privatization, anti-Bush, sometimes even anti-capitalism – but always ‘anti’, never ‘pro’). The current world system, the politics of the ‘anti-’ points out, rests on inequality and exploitation. The global poor are being screwed, while the rich are benefiting. The powerless are getting the short end of the stick. This is all perfectly true, of course, if not terribly illuminating. But such lines of argument typically have very little to propose by way of an alternative ‘art of government’. Governing is exercising power over others, which is what the powerful do to the downtrodden. It appears as something to be resisted or denounced, not improved or experimented with.” (2011, p. 62).

Ferguson is on to something here, in identifying the degree to which received models of ‘Foucault’ support a style of critique in which the exercise of power is understood to be inherently dubious, at best an unfortunate necessity, and in which subjection to external norms is understood to be a fundamental source of harms.

Of course, Ferguson’s own work might be one source of the critical attitude he is analysing here. The Anti-Politics Machine is a story all about how development projects have de-politicizing effects, and it stands in a line of empirically grounded work on such topics as ‘the will to improve’ and ‘the will to empower’ which exemplify a style of analysis which demonstrates the political effects enacted through bureaucratic and technical practices undertaken with good intentions. More recently, Ferguson’s contribution to the analysis of ‘transnational governmentality’ and the critique of ‘state verticality’ might also easily lend itself to the standard interpretation of governmentality as a really sneaky way of extending disciplinary power. But in fact, this latter strain of work seriously undermines some of the assumptions underlying the critical conceptualization of neoliberalization, in so far as it unpicks the presumptions about the historical formation of welfare states, generalised wage labour, unionization and the like which underlie that conceptualization. Actually, critical theories of neoliberalism and neoliberalization might exemplify what after Raewyn Connell, we can call ‘Northern Theory’. The institutional norms presumed by those theories, in developing their historicist accounts of rolling-back, privatizations, accumulation by dispossession, and the diffusion of mobile policies, might be really quite peculiar. Once you notice this, processes theorised under the rubric of neoliberalism might look a little different, thought no more rosy necessarily. For example, Ferguson’s attention to the proliferation of social assistance programmes chimes with Partha Chatterjee’s analysis of the changed dynamics of political power in contemporary India. He suggests that the proliferation and extension of agencies distributing education, health, food, water, electricity and other services is an index of a quite specific democratic imperative to correct for, to compensate for, the effects of ongoing ‘primitive accumulation’. This process is, on his analysis, mediated by the demands and negotiations of ‘political society’ (it’s therefore far from merely technical or administrative, but political all the way down in its mundane, everyday qualities of negotiation, claims, and representation), and this dimension might well underlie the politics of corruption, anti-corruption, populism and anti-populism evident in India and other places. From Chatterjee’s perspective, it seems that what geographers and others have theorised in terms of ‘accumulation by dispossession’ is ‘overdetermined’ when set in the context of existing democratic settlements, and can generate an expansion of certain sorts of public, redistributive functions of the state, not their diminution – and that this needs to be understood as an extension of the political field, not as an index of post-politicization.

What has critique got to do with governmentality?

Ferguson’s argument about ‘left arts of government’ is a challenge to received understandings of Foucault as a kind of critical theorist. There is a long-standing history of attempts to redeem Foucault as providing a worthy model of political critique. But most of these end up restricting the ‘affirmative’ dimensions of Foucault’s genealogy of modern critique to the practice of cultivating alternative aesthetics of the self, a tendency that only tends to underscore the broader idea that the normative horizon of proper critique is shaped by the will not be subjected to the norms of others, by the will not to be governed. Now, I think Ferguson’s argument about this issue stands up irrespective of whether you can find a textual source in Foucault’s works to support it. But he certainly does help draw into focus those moments when Foucault does seem to extend the affirmative dimensions of ‘critique’ beyond this narrowly aesthetic model of the care of the self (Pierre Hadot once perceptively  suggested that this dimension of Foucault’s later work, if taken too seriously, threatened to authorise ‘a new form of Dandyism, late twentieth-century style’ – a point, I take it, that helps us to see the inherent dangers of constructing critique as a vocation that rests on unacknowledged conditions of social distinction).

There is an interesting section of Foucault’s 1978 lecture on ‘What is critique?’ which Ferguson’s piece made me go back and look at – recently translated in the Semiotext(e) collection The Politics of Truth. Here, as in the much commented up essay on Kant’s ‘What is Enlightenment?’, Foucault locates his own ‘critical’ vocation as an inflection of distinctively modern, liberal models of critique – and in particular marries up critique to the historical trajectory of ‘governmentalization’ he discerns. On one level, this reads like the standard story about how critique is internally related to governmentality, not a transcendental viewpoint outside power, and so on. The governmentalization of individuals and society is, so he argues, related to the emergence of the question of ‘how not to be governed’, the question at the heart of liberalism, and of a distinctively modern ‘critical attitude’. Foucault specifies the nature of this relationship of critique to processes of governmentalization quite precisely, in a passage that repays a slow reading:

Facing them head on and as compensation, or rather as partner and adversary to the arts of governing, as an act of defiance, as a challenge, as a way of limiting these arts of governing and sizing them up, transforming them, of finding a way to escape from them or, in any case, a way to displace them, with a basic distrust, but also and by the same token, as a line of development of the arts of governing…” (2007, pp. 44-45).

This is Foucault’s summary of a general cultural form of ‘critique’, defined as “the art of not being governed or better, the art of not being governed like that and at that cost” (2007, pp. 45). An awful lot might depend on how you interpret the hesitation, ‘or better’, and the clarification that follows. Foucault ends the passage with a line about critique being about ‘the art of not being governed quite so much’. But the more interesting focus is not on the quantity, let us say, of government to which one might be subjected, but its quality – the recurring emphasis in this essay is on critique being related to not being governed ‘like that’. Again, this sits easily within a received model of Foucault as recommending a situated model of critique. In the Q&A published alongside this essay, Foucault clarifies further, saying that critique is not animated by the will not to be governed at all – he disavows the stronger impression attached to the idea of not being governed at all, and does not endorse what he calls the ‘fundamental anarchism’ that is totally resistant to any governmentalization.

Ferguson’s argument makes you notice the second part of the quote above – the bit which opens ‘but also and by the same token’… Before that, critique is still easily read as being a corrective, a mode of more or less resistant engagement – a view that still informs a model of critique as ‘a series of gestures of refusal’, a practice of “voluntary insubordination” and ‘de-subjectification’ that seems to confirm Hadot’s warning about dandyism. In a few words, Foucault then says that critique is also ‘a line of development of the arts of governing’. That seems a much more interesting suggestion, one which might well support Ferguson’s call. It seems to suggest that critique is not just a suspension of the ‘programmatic’, but requires a ‘reconstructive’ moment, if you will. If it doesn’t, in fact, if it’s only a shred, then so be it – as I said, Ferguson’s argument carries its own force, and is not best read I think as an argument about how best to interpret Foucault. But I do think there might be something about ‘being in the true’ of received interpretations of Foucault that make those moments like this which support an interpretation like Ferguson’s really difficult to acknowledge.

Ferguson does call on Foucault’s authority, of course, in developing the argument about the need to develop progressive arts of government. In particular, he refers to the line in the 1979 lectures in which Foucault talks about socialism lacking not a theory of the state but a governmental reason, ‘a definition of what a governmental rationality would be in socialism’ (this theme was a topic of an unfinished project with Didier Eribon, reported in Eribon’s biography of Foucault and in David Macey’s too, and is another index of a particular moment in French political culture). In his Antipode essay, Ferguson focuses in on the claim that this absence is the mark of a failure of the left to answer the question of power and its exercise’ as a positive aspect of left politics. For Foucault, this absence if revealed most clearly in ‘the relationship of conformity to a text’ that defines left politics in the twentieth-century – in the concern with Theory, and with thinking of politics in terms of ideology, and by extension, to a subject-centred model of left-politics (which raises some interesting questions about the degree to which the continuing focus of left-analysis on Theory, not least Foucault’s, and often in terms of subjectivity and subjection, is a sign of the ongoing failure to address questions of ‘governmental reason’ in a pro-active fashion).

In Foucault’s story, it’s the absence of a socialist account of governmentality appropriate to itself that accounts for the ease with which in practice socialism had been attached to diverse types of governmentality: “here it is connected up to this governmentality and there is it connected up to another, yielding very dissimilar fruit in both cases and, in the event of course of a more or less normal or aberrant branch, the same deadly fruit”. Herein lies the basis of Foucault’s argument about the relationship between the SPD and the ordo-liberals – this is a contingent attachment to ‘neoliberal’ governmental reason, the significance of which is to illustrate the general point about the absence of a socialist one ‘properly’ its own (I think this is an interesting line of thought, not least in relation to understanding how a set of debates in the UK in the 1980s and early 1990s around market socialism, for example, collapsed and seemingly disappeared in the embrace by ‘New Labour’ of certain strains of ‘neoliberal’ thought).

Ferguson reads this aspect of Foucault’s argument to support his case that ‘neoliberal’ techniques might be ripe for appropriation, for re-use for progressive purposes: “Techniques have no necessary loyalty to the political program within which they were developed, and mechanisms of government that were invented to serve one purpose can easily enough be appropriated for surprising other uses.” I’m broadly sympathetic to this argument, but I wonder if there isn’t a danger of conflating ‘techniques’ and ‘governmental reason’ going on here. The idea that re-using neo-liberal techniques – market mechanisms of various sorts – is a response to Foucault’s challenge about the absence of left arts of governmental might get things the wrong way around – such re-use might, in the absence of an articulate ‘left governmentality’, be symptomatic of the very absence Foucault diagnosed. It’s not ‘techniques’ or ‘technologies’ that are the problem (I leave aside the question here of whether and why one should consider all market mechanisms to be meaningfully described as ‘neoliberal’). What Ferguson’s appeal to Foucault here suggests is that just what is meant by ‘governmental reason’, or ‘governmental rationality’, might require a little more careful clarification – arts of government might not be quite the same as technologies, however broadly the latter term is understood.

Where can I find ‘progressive arts of government’?

Ferguson’s argument about ‘progressive arts of government’ actually reminds me of Erik Olin Wright’s work on ‘real utopias’ which I have posted about previously. But not just because I read it a little while ago. The connection might seem strained – Wright is no Foucauldian; Ferguson is not an analytical Marxist. But the connection is, appropriately, empirical – both focus on experiments with basic income schemes and social grants as models of alternative political and policy engagement. In fact, there are some interesting overlaps between Wright’s interest in basic income schemes, Ferguson’s focus on social assistance programmes and cash transfers, and Chatterjee’s reference to poverty alleviation projects – not least, these all seem to share a focus on de-linking government supported consumption from wage labour, and in that respect, have rather interesting overlaps with Milton Friedman’s model of the ‘negative tax’, a model discussed by Foucault in the 1979 lectures, which also provides for cash handouts to the poor irrespective of behaviour, of ‘desert’. Foucault did not deny the obvious politics of this model in terms of not addressing causes, not redistributing, not interfering with markets – but he seemed to be most interested in the fact that this model was ‘much less bureaucratic and disciplinary’ than classical forms of ‘liberal’ intervention.

Ferguson asks us to look upon these sorts of experiments in social assistance in a more positive light than received models of critical analysis might suggest, and not least to consider seriously the degree to which they represent genuinely alternative forms of governmentality – that is, of progressive political imaginations that do not eschew institutionalisation or governing as unhappy moments of selling-out or compromise. What Ferguson presents as the appropriation of ‘neoliberal’ mechanisms for different ends, theorists of neoliberalization would see as proof of the mutantly capacious quality of neoliberalism. The difference is, at the end of the day, a conceptual one –Fergusondoes, as I have said, remind you of the degree to which the conceptual frame that sustains the capacious interpretation is tied to certain normative blindspots about the experience of Western Europe and North America. It should also be said that the idea that anything touched by neoliberalism is therefore infected all the way through with neoliberalism rests on a power of influence never adequately theorised by its proponents. To suggest, as Robinson and Parnell do, that there might be more powerful influences at work in many contexts than ‘neoliberalism’ doesn’t mean everything is rosy – it just might mean accepting there are worse things in the world, politically, than neoliberal ideas, techniques, and rationalities.

I guess that I like Ferguson’s argument because it presumes that politics can take new forms – that the political meaning and effects of practices cannot be read-off from their origins, nor indeed from their ‘content’. Presuming that they can, that ‘neoliberal’ practices are always and everywhere tending towards the same political intention or outcome for example, is one mark of a style of thinking about politics in an excessively ‘textual’ or ‘theoreticist’ way.

Can governing ever be properly political?

The question which Ferguson raises, about the possibility of developing distinctively left or progressive arts of government, doesn’t really arise under the influential interpretation of politics in terms of the categorical, ontological division between politics and the political. In its different more-or-less poststructuralist variants, this conception of ‘the political’ effectively disavows the exercise of power as a properly political activity – this is rendered a matter of ‘police’, of ordering, of mere governing, of the instrumental and the programmatic, whereas ‘proper politics’ is reserved for the activity of disrupting and challenging settled conventions (not all usages of the notion of ‘the political’ have this kind of inflection of course – Habermas has an interesting recent essay in a collection on religion in the public sphere in which he suggests that the concept of ‘the political’ that has come back in to fashion under the influence of Laclau, Agamben, Lefort, Nancy and others does have some use, although for him this is primarily as a type of empirical concept – a usage that requires, as he puts it, that philosophers give up any special claim to competence over the realm of ‘the political’ compared to mere politics and policy studied by social scientists: ““The political” no longer appears to constitute a serious philosophical topic alongside “politics” and “policies””. Of course, the reassertion of ‘proper’ senses of politics and democracy under the influence of a priori concepts of ‘the political’ represents precisely the opposite of this acknowledgement – it is an assertion of the privilege of a certain model of philosophical reason to expound on aspects of ‘the political’ that remain covered over by merely ‘ontic’ fields of social science enquiry).

As I suggested, governmentality has become widely associated with this same disavowal of the exercise of power under the imperative of ‘critique’. It is a concept that has routinely been collapsed back into an essentially ‘disciplinary’ imaginary of the critique of power, used as a smart word for ‘social control’ . On this view, critique is certainly understood as an ‘ethos’, as James Tully puts it, and as arising from within situated practices of the exercise of power, but is still understood in terms of the imperatives of suspicion.  Recent Foucauldian accounts of critique in terms of desubjugation and voluntary insubordination  continue to emphasise the sense of critique as primarily a personal vocation shaped by the ethical imperative of resisting the force of externally imposed norms.  

Ferguson’s argument about left arts of government implies a more affirmative attitude towards the exercise of power, as the flip-side of the conditional concern with not being governed like that – a concern which seems to imply the possibility of articulation of how one might prefer to be governed, like this. Other people have touched on the same theme as Ferguson – Nikolas Rose ended his Powers of Freedom with a few suggestions about analysing the governmentalities of radical and alternative social movements, and Arjun Appadurai has discussed the theme of counter-governmentalities. These ideas also suggest that left politics is best understood as a modality for the exercise of power, not its transcendence (I once flirted with the idea of ‘bottom-up governmentality’ but never really pursued it). But these themes remain undeveloped – when they are acknowledged, for example in ideas such as ‘civic governmentality’, it is normally to support a further round of ultra-critical vigilance in revealing the unfortunate by-products of governing or subjectification associated with such movements. In so far as the ‘new’ voice of Foucault comes to support the regime of truth around which the imperatives of academic critique are already formed, and not least to support a model of critique centred on the problematization of subjectivity (one’s own as much as other people’s), then nothing much will have been added, and the sorts of questions which Ferguson raises will likely continue to find expression only on the margins of this intellectual field.

Non-Stop Against Apartheid blog

Just came across an interesting research-led blog, based at Geography at Leicester and led by Gavin Brown, on the Non-Stop Picket of the South African embassy in London in the late 1980s, the project explores the spaces, sites and temporalities of transnational social movement activism. Very timely, in an historical sort of way.

Favourite Thinkers IV: J.M. Coetzee

I was idly surfing for videos of philosophers giving talks, and find that Robert Pippin, who you can watch ‘live’, has a recent essay in a collection of philosophical reflections on the work of J.M. Coetzee (Pippin is also writing about Westerns, a fun juxtaposition with his work on Hegel, Nietzsche, and the like). Coetzee has become a favourite of English-language philosophy with a Continental bent recently, with writers such as Stephen Mulhall, Stanley Cavell, Cora Diamond and John McDowell all finding resources for philosophical reflection in his work – in particular, it is Coetzee as an ethicist of sorts that seems to attract philosophers’ attention. The idea that Coetzee’s fictions add up to a sustained oeuvre of ethical thought is not a new one – the literary theorist David Atwell was making that argument more than a decade ago – but philosophical interest in Coetzee seems to be a ‘post-Disgrace’ phenomenon, related to the more explicit engagement with issues of animal rights and ethical propriety that Coetzee has been elaborating through the recurrent figure of Elizabeth Costello in a number of works.

The philosophical framing of Coetzee is a new stage in the variable reception history of his writing, which I wrote about way back in the late 1990s – then, you could discern both a geographical difference in how Coetzee was read in South Africa and South Africanist circles, and a generic difference in how he was read by academic theorists and generalist critics. In the late 1980s and 1990s, Coetzee was a favourite novelist for literary theorists, particularly those of a poststructuralist inclination,and especially amongst postcolonial theorists. There was a circular relationship involved here, in so far as Coetzee’s novels are of course highly ‘academic’ in their form and content, so they are kind of ‘always already’ available to be mined for evidence of certain literary theoretical axioms. I wonder if the same circularity isn’t involved in the philosophical interest in his work too? There is something odd about the supreme allegorist, Coetzee, having his novels read as allegories of certain theoretical, philosophical arguments.

I used Coetzee in my PhD back in the early 1990s, as a way of making sense of Spivak’s account of subaltern representation – not least, because at that time, she often invoked Coetzee’s Foe as an exemplar of her thesis. This engagement with Coetzee’s work was an important influence on my own intellectual and academic trajectory – it was a way into debates about South African cultural policy, and I ended up doing research on these issues from 1996 onwards; this was also a way out of a certain kind of dead-end of cultural theorising that 1990s human geography was sending me down. My initial interest was in the fact that Spivak’s invocation of Coetzee in support of her theoretical position was rather de-contextualised, in so far as it was detached from Coetzee’s rather controversial status at that time within debates about anti-apartheid cultural politics. Coetzee had always resisted incorporation into the forms and norms of ‘political’ writing that defined so much South African fiction in the 1980s (One of my most cherished ‘bookshop moments’ is coming across a copy of Upstream, a little magazine published in Cape Town in the ’80s, from 1988, in Ike’s bookshop in Durban. This edition, which cost me 10 Rand, contains an essay by Coetzee called ‘The Novel Today’ in which he tries to articulate the validity of the idea of the novel as an autonomous form not to be reduced to the imperatives of ‘historical’, that is political, expediency). At that time, the early 1990s, though, the settled models of cultural politics in South Africa were coming apart, both through ‘official’ revision in ANC circles and amongst academic writers such as Rob Nixon. Coetzee’s international reputation has grown and grown of course since the end of apartheid, and the end of that particular framing of South African writing – though of course, domestically he remained and remains a controversial figure, being denounced as racist when Disgrace was published (by a very high-ranking ANC politician no less) and then following a more general trend amongst white South Africans of emigrating (though he went to Adelaide, not Perth, or London). The Oxford based literary scholar Peter McDonald, in his book The Literature Police and elsewhere has uncovered the fascinating story of apartheid-era censorship systems in which Coetzee was, personally and as an author of fictions, ambiguously embroiled.

I haven’t worked on or written about Coetzee for more than a decade – as I say, it turned out that he was route away from literary theory and work on textuality (although I think these fields of research remain rather more valuable than they are given credit for in geography these days – a two decade metaphysical odyssey from postmodernism to ‘speculative realism’, affect theory and materialities has managed to pass by the flowering of all sorts of sociologically inflected, ethnographically informed accounts of the institutions and political economies of reading publics, publishing, popular literacy, national cultures, and educational practices, which might cash-out the promise of a materialist imagination rather better than repeated ontological assertions about materiality per se). I still read his books regularly, from a sense of duty and familiarity – they do have a ‘serial’ quality to them in their repetition of certain themes of high literary modernism. I like some of them more than others – Slow Man, his first novel after leaving South Africa, I enjoyed reading, while in South Africa, because it almost had a proper story in it. The multi-perspectival approach of The Diary of a Bad Year was a bit too didactic after a while. But Summertime, the most recent not-quite-autobiographical fiction managed to pull off the ‘where is the author?’ trick while also being funny, touching, and prosaically tragic (I know a South African who did a Masters dissertation on Coetzee’s fiction, Orli Bass, who wrote a letter to him to ask for an interview – she got a lovely, brief note in response, words to the effect that he believed that ‘books deserve to make their own way in the world’ – this is pretty much the theoretical premise that Coetzee’s fiction and his public profile seeks to systematically enact, which is why it proves so difficult to pin him and his work down in standard modes of critical interpretation. In turn, it’s why the fiction can be presented as exercises in ethical practice).

One of the things that seems to get lost in the theoretical-philosophical allegorization of Coetzee’s fictions is the brilliance, I think, of his work as a theorist and critic. He is after all, or was, a professional, academic, theorist. His conceptualization of the dynamics of censorship and offence in Giving Offence is wonderful and compelling; I think his consistent engagement with the problems of authentic expression in contexts saturated with ‘political’ imperatives, through the figure of Erasmus’ fool for example, is a deeply important contribution to thinking about the politics of free expression, ethics, and political responsibility; and one of my favourite pieces by him is an essay on The Misfits, which is as significant as anything written by Coetzee on the ethics and justice of human-animal relations through the figure of Elizabeth Costello I think, and which turns on the observation that a movie full of wonderful actorly performances by Monroe, Gable, Clift, and Wallach revolves around a purely deictic presentation of the suffering and fear and passion of horses. Sometimes, the real theoretical and philosophical force of Coetzee’s writings might be much better registered in these non-fictional genres – the essay or review – than in the fiction; but oddly, these texts don’t provide the same authority as the ‘stories’ which often enough write out the same arguments in fictional form.