My review of Ash Amin and Nigel Thrift’s Arts of the Political: New Openings for the Left has just been published on Antipode’s online Book Review page. There is also a (shorter) review of the same book by Fred Inglis in the Times Higher. And the Mobilizing Ideas blog had a post about it a while ago too, in case you missed it (and are interested in these things).
A few months ago, back in what for me now seems ever so slightly like a previous life, I wrote a post about Ruth Leys and her work on the science behind the burgeoning field of affect theory. The paper mentioned back then, The Turn to Affect: a critique, is now published in Critical Inquiry. For anyone who is interested in the philosophical ideas raised by current debates about intentionality, embodiment, rationality, naturalism and the like – philosophical debates rather mangled in the canonization of ‘affect theory’ – Leys’ intervention should be essential reading. There are a few critical engagements with affect theory already – Constantina Papoulias and Felicity Callard’s great paper on the selective appeal made to scientific authority in some of this work, Claire Hemmings’ location of affect theory in a broader ontological turn in cultural theory, my own colleague Steve Pile’s effort to mediate between disputes over the relation between affect and emotions – but Leys zeroes in on some of the fundamental grounds of recent claims that affect theory constitutes a wholly dramatic innovation in cultural theory and philosophical thought. It works as a ‘critique’ by presuming that the claims made by adherents of affect theory – the main objects of Leys’ piece include Eve Sedgwick, Brian Massumi, Bill Connolly and Nigel Thrift – are indeed open to rational, measured assessment, not least in terms of the knock-down appeals in much of this work made to the apparently irrefutable evidence of neuroscience and certain strains of experimental psychology (I think in fact that one of the more interesting features of this field of research is the degree to which it systematically avoids argument – both in the exegesis of its own positions, and when challenged by those trying to engage this work in a critical spirit. This field of work would make a great appendix to Amanda Anderson’s The Way We Argue Now, but it would have to be called ‘the way we don’t argue with you because you obviously just don’t get it’). Nor, it should be said, do all variants of affect theory depend so heavily on this appeal to science-as-ontology – it’s not a feature, for example, of Lauren Berlant’s work (if you don’t count psychoanalysis as science).
Leys’ critique of affect theory focusses on 3 exemplary experiments which underwrite the external claim to scientific authority in much of this work, specifically the ‘basic emotions’ paradigm associated with Silvan Tomkins and Paul Ekman. She restores to view the sense of controversy around each one, the complexity of the findings, and their status as ‘cases’ – thereby raising the question of whether these fields can properly serve as the supports for claims made in affect theory – including the debates around the much-lauded ‘half second delay’ upon which writers such as Massumi and Thrift have staked strong claims for their anti-intentionalist visions. One of the more important aspects of Leys’ critique is the reminder that the experiments upon which much of this work alights tend to focus on particular sorts of embodied action (the hand movements involved in playing piano, throwing balls, that sort of thing), but abstract these from the wider “intentional structure or situation” in which such actions take place – in which they take on meaning as part of practices, if you like. The anti-intentionalist frisson of affect theory depends on generalizing up from what one might call ‘generic’ fragments of actions to make claims about the qualities of whole fields of embodied action. And it also depends, as Leys is also keen to point out in her essay, on a quite conventional dualistic separation of mind from body and brain. So it is, under the sway of this sort of theory, that the mind and associated concepts have come, once again, to be associated with ‘immateriality’. Affect theory, in its purest forms, tends to impute highly intellectualist views of meaning, signification, and mind to everyone else in order to make strong claims about the embodied and therefore non-intentional, non-rational qualities of affects.
The animating question behind Leys’ critique is “Why are so many scholars today in the humanities and social sciences fascinated by the idea of affect?” A good question indeed, and I’m sure there are many reasons. One version that occurs to me was triggered by
reading a piece by Michael Berubé recently about the legacy of the Sokal affair fifteen years on. Berubé’s main point was about how the ‘social construction of science’ position that was then a staple of the cultural left has now been adopted by climate-change sceptics on the American right. He didn’t say much about how cultural theory, in the period since this controversy, has also observably invested in various styles of scientism. The strands of affect theory which Leys pinpoints would be prime examples. Of course, the scientism often goes under the cover of ‘ontological’ claims – it is part of a more general drift of left theory towards seeking the foundations for the very possibility of radical change in deeper and deeper layers of covered-over ontological depth. Simon Critchley and Axel Honneth have discerned this trend towards the ontologization of politics, amongst others. ‘Affect’ might have become, at least in certain versions of the deployment of this concept, the prime example of this trend: understood as a surface for priming subjects behind their backs, before they know it, towards certain sorts of dispositions and responses, ‘affect’ is a medium for unrestricted discipline and accumulation – this is the bad politics of affect; at the same time, the same understanding of ‘affect’ as a figure of embodied, vital liveliness that escapes the strictures of mind, reason, and cognition means that it can also function as the name for an irreducible disruptive energy – this is the good politics of affect. Ben Anderson provides an excellent, concise articulation of both aspects of this understanding of the politics of affect, one in which Foucault is finally made safe for Marxism through the mediation of Toni Negri and an account of the real subsumption of labour to capital derived from Marx’s Grundrisse. Brian Massumi provides a briefer, more journalistic rendition of the same symmetrical understanding of the good-and-bad politics of affect in his reflections on recent ‘events’ – in a piece that reminded me that the only people who still believe in the concept of ‘mass media’ these days are theorists of ‘political affect’ like Massumi, Connolly, and John Protevi.
So, rather long-windedly, my point is that the ‘appeal’ of affect might be quite conventional, in so far as it sits within a quite standard assumption about the relationship
between Theory and Politics, and about Theory-as-Politics. The conception of subjectivity in this style of cultural theory is radically transformed, no doubt – but what remains in place, in what might in fact be a retrenchment, is the idea that the relationship of ‘culture’ and ‘power’ is always to be analysed primarily through the vector of reproduction. In this political imaginary, ‘power’ still fixes, naturalises, anticipates; and resistance always, forever, only, disrupts, interrupts, suspends. The emphasis on ‘plasticity’ and ‘becoming’ is the latest on a line of conceptualization which presumes that the most interesting thing one can do in political analysis is point out that things are made, constructed, composed, etc, and therefore, it is assumed to follow, can and should be changed.
As a move within the history of cultural theory, affect theory in its most anti-representationalist, anti-intentionalist variants at least, renders impossible the analysis of the ways in which ‘consent is won’ that might still represent, and here I am just following Berubé again, the single most important theoretical achievement and challenge of what we probably now have to call old-fashioned cultural studies. The most strongly politicized versions of affect theory are formally identical to a Chomsky/Herman style of the mass mediated manufacturing of consent (again, this seems a significant difference from the Berlant-style of affect theory – in which the emphasis is on trying to think about feelings of and for attachment which cannot be reduced to the machinations of power, discipline, or ideology – feelings that are ‘ordinary’, a word that Berlant uses a lot and which marks an affinity with a philosophical current closer to Ruth Leys’ position than that of the über-Marxism through which the ‘politics of affect’ has been most strongly articulated).
One of the peculiar achievements of affect theory is to make possible once again cultural analysis from the armchair (or cinema seat), in so far as it rests on a systematic refusal to countenance that people’s own viewpoints on their own actions and practices can count for much. The dualistic presentation which opposes affect and emotion to belief and rationality means that these two sets of attributes now get divided between expert knowledge which is available to the expert analyst, on the one hand, and the unknowing actors responding to affective triggers on the other. Affect theory redistributes the unreflective and reflective aspects of action so that all of the reflection now stands on the side of the theorist, rather than being folded together ordinarily in practice, reflection and learning. This strong version of non-representational affect theory really depends on squeezing some interesting ideas into a frame in which the primary objective is to show how Theory cashes-out as having some big-P political value – another sense in which this range of work is more continuous with other traditions of cultural theory than is often acknowledged. The judgement of the theorist, in affect theory, can be substituted for the self-understandings of actors on the grounds that affects exceeds and/or subtends epistemologically held beliefs – this is a risk, of course, that all theories of ontological depth, fundamental causes, or unconscious processes run when they are translated into politically inflected cultural analyses. Something which remains to be addressed by adherents to strongly political versions of affect theory is just what is at stake in the project of correcting for overly cognitive, minded views of action – is it correcting other theories? If so, the problem is that affect theory, non-representational theory, and related styles of cultural theory depend too heavily on straw-figures of their own construction to get any traction. But sometimes, often perhaps, there is a slippage towards the sense that it is ordinary people’s ordinary understanding of themselves and others and what can be imputed to the mind – as intentional, potentially responsible, actors, for example – which is the target. In this, affect theory converges with a broader field of current popular scientific discourse about psychology and the brain – which as Alice Bell has commented has become like ‘the weather’ as a topic of shared conversation – in galloping towards questionable conclusions.
Leys also observes that affect theory is associated with a particular privileged aesthetic, one which accords primacy to the integrity of personal responses, and invests strongly in a Deleuzian inspired model of intensities. The elevation of ‘the image’ into the central category of cultural analysis is testament to this aesthetic – Leys’ paper suggests an interesting relationship between the investment in an avant-garde model of Film and the centrality of images to the experimental fields of psychology and neuroscience upon which affect theory draws.
The final ‘method effect’ which Leys’ paper throws light upon revolves around the vocabulary of layers and levels which is characteristic of affect theory – this architectonic of layering is central to the lessons drawn and claims made about the temporality of embodiment, cognition, intentionality and action – and is another aspect of this work which Leys helps to unpick by restoring a sense of context to the scientific sources of some of these arguments.
So, in short – if this range of work is of any interest, you should read the Leys essay. I understand that Connolly has a response forthcoming in a subsequent issue of Critical Inquiry, with a reply-to-the-response from Leys.
Nigel Thrift, sometime geographer and all round theorist, who is now Vice-Chancellor at Warwick, has a short note on The Chronicle of Higher Education blogsite WorldWise note on the complexity of the tensions shaping Higher Education today. Apart from the slightly sneering dismissal of ‘critique’ as a posture to adopt in relation to current changes to University financing in the UK context, this is a rather succinct summary of the complex relations into which ‘The University’ is woven. It is also a useful reminder of the degree to which the transformations triggered by post-election decisions in the UK are part of rather longer, more broadly shared processes of reconfiguration in global higher education. One thing that Thrift’s list of tensions brings out is how they all revolve around the basic tension of being (at least in part) publicly funded institutions which are expected to or aspire to deliver a complex and contrdictory range of public ‘goods’ – world class research, economically useful teaching and learning, social mobility, relevant solutions to all sorts of worldly problems. Rather than there being a single model of ‘the public’ to which Universities are expected to be responsive and accountable, Thrift’s list of tensions indicates the diverse range of public purposes and constituencies which have a stake in the future of higher education. Anyway, Thrift promises future posts focussing in more detail on these different tensions, which should be interesting to follow.