Favourite Thinkers VIII: Wasting my life with Jonathan Lethem

Venice.jpgA while ago now, I mentioned a coffee-table book I had been given about the ideal bookshelf. One of the contributors to this was Jonathan Lethem, who I may or may not have known about before. But we’ll come back to that. Lethem’s books also appeared on quite a few of the ideal bookshelves of other contributors to this volume, I seem to remember. I particularly liked Lethem’s thoughts on his choices of favourite books (not one of which I have read). I underlined this:

“The thing about this bookshelf is that each of these books is a vast experience unto itself, while also being both self-contained and superbly useless. Reading any one of them doesn’t get you anywhere particularly meaningful; you haven’t arrived or graduated; you’ve just gone and done something that passed the time. It’s like taking a long walk with a friend who’s got a lot to say. There’s no cumulative purpose to it – it’s just an excellent way to waste your life”.

I’ve ended up spending quite a lot of time in the company of Lethem, more or less accidentally bumping into some of his books over the last couple of months. Over Easter, in Covent Garden, I bought a copy of his collection of essays, The Ecstasy of Influence, under pressure from a 6 year old imploring me to hurry up and choose something. I bought it on the basis of the title, the colourful spine, and the vague recollection of the author’s name, and because it seemed to include essays on things like Otis Redding and Devo. It’s what Lethem calls a ‘bloggish book’ of short reviews, essays, and one or two fiction pieces, ranging from serious subjects like living in New York in the aftermath of 9/11 to a range of pop culture reflections on topics such as discovering The Go-Betweens. The title essay is a little manifesto on the creativity of copying, borrowing, and re-using – first published in Harper’s Magazine, it performs a grand exercise of plagiarism in developing ideas about the gift economy and public commons as the dynamic source of cultural life (the ideas and practice are further developed in Lethem’s Promiscuous Materials, which you can find out about along with other bits and pieces at Lethem’s website.

A week later, I came across a collection of his short stories while on holiday in Devon (the third surprising encounter within 10 minutes while strolling down the main street in Totnes), and then, a couple of days later, still on holiday, found a copy of one of his novels, Motherless Brooklyn, a great ‘crime novel’ of sorts.

DomeHaving spent some time with Lethem while on holiday, I then enjoyed his company again while in LA for a conference at the beginning of April. At The Last Bookstore, I found a copy of The Disappointment Artist, another non-fiction collection, but with a more coherent theme, a series of semi-autobiographical reflections on his attachments to things like comics, or pop music, or the films of John Cassavetes (that’s a great bookstore by the way, playing the soundtrack from Friday Night Lights while I was there, which was lovely). One thing I like about Lethem’s writing is a recurring concern with this issue of attachment, attunement, obsession, and immersion in specific cultural worlds – life as lived through the medium of fandom, being taken over by a series of works of some sort.

When I got back from LA, I then noticed that one of the books that Amazon had been prompting me to buy for a while was a book about the Talking Heads album Fear of Music. This is just one in a series of books on ‘classic’ albums, not the sort of thing I normally read at all (honest). Now though, having spent the previous month acquainting myself with Lethem, I noticed that the author of this little book was none other than the very same Jonathan Lethem. My algorithmic avatar suddenly coincided exactly with my situational self.

Scan 130200001-2The Fear of Music book is really excellent, if you like the sort of thing that Lethem likes, which it seems that I do, to a certain extent at least. He writes about the record by tacking back and forth between the experience of listening to it in 1979 as a 15 year old and his current, adult self. So, it turns out not just to be a nerdy fan book at all, in so far as it develops a serious account of the relations between one’s old, current, and next self. Writing about this record in the space between ‘the boy in his room’ and ‘the aging fan writing these words’, Lethem brings to light the degree to which avowals of cultural authority, taste, and judgment often turn on the performance of knowingness that is a disavowal of processes of learning and discovery – expressed in the the trick, or is it a temptation, of appearing to always already have known about an artist, or a chain of influences, or a line of significance that, in fact, one once knew nothing about, and which came after one’s initial seizure by a work: “The mind making retrospective sense of the artwork is a liar. Or a lie. Unspooling expertise and arcana, the critic spins a web of knowingness that veils its manufacturer, a spider shy of the light”. This theme of the knowing character of cultural taste is a feature of other essays by Lethem I have read, including ‘Dancing about architecture’, where he writes about the dorky knowingness of being a fan, where being able to spot influences and point out references to other sources is analysed as “a revenge of the seduced”. One way of processing one’s own capture by a song, a band, a novelist, a theorist perhaps, is to place one’s pleasure into a wider context of knowledge and prior disposition – it’s a way of acknowledging the force of the attraction while presenting this as something that still somehow remains under one’s own control.

Most recently, in Liverpool a couple of weekends ago, I came across another of Lethem’s novels, The Fortress of Solitude, again while stealing a minute from one of my children to book browse (or was it sharing a minute?). It’s about growing up in Brooklyn, again, and being a fan, and gentrification, and about not quite knowing what’s going on.

So I feel like Lethem is my new imaginary friend, he seems to share some of the same tastes as me, in films (I like Westerns too), in music, in literary theory, though he is, inevitably, smarter and more clued in than me on all these things and others. He seems like the older brother I never had; or needed. And he has a nice way of articulating the relations between learning, knowing, and pretending that make up whole worlds of intellectual anxiety and authority.

And I also identify with the idea of ‘used bookstore lag’ that Lethem refers to when describing his own pattern of learning and knowing – it resonates strongly with me, suggesting both a sense of discovering ideas late, after their time has passed; but also of discovering ideas unexpectedly, of receiving them as gifts of chance.

Doing Public Things

DorsLast week I attended a workshop organised by CCIG’s publics research programme and the Creating Publics project (I was only able to attend one day of the three because of an outbreak of chicken-pox at home). The workshop was in part a moment in a collaborative project on Making Publics across time and space between some OU social science researchers and a humanities-based network based at McGill that has been behind the Making Publics project (MAP for short). There is a great set of CBC radio programmes that grew out of that project, covering a wide historical sweep of issues related to public formation.

The discussions at the workshop clarified for me the importance of thinking about the  grammar of conceptualizations of publicness. I have tried to write a little about this, in a paper submitted last month and a chapter that I have just got back for proof-reading, so it was on my mind already.

Everyone seems to agree that one should adopt a plural register when approaching public questions – that it is right and proper to talk about publics rather than the public. But I wonder whether it makes much difference if one pluralises the public, rather say than pluralising the public sphere or public space. Speaking of publics in the plural might not make much difference in so far as attention remains focussed on overly substantialised images of publics as more or less sociolgical group-like entities.

The default to thinking in terms of plural publics, thought of as a straightforward synonym for the conceptual issues raised by ideas such as the public sphere or public space, is associated with successive moves which emphasise the ‘constructed’ qualities of publics: publics are made, assembled, performed, or enacted, depending on one’s particular theoretical inclinations. All of these ideas tend to leave in place the strong impression that there is some sort of animating subject doing the making or assembling, and/or that the product of the assembling or enacting is also best thought of as some sort of collective subject. Something has been lost along the way: the sense of publicness as a subjectless process, to paraphrase old uncle Habermas. After all, ‘the public sphere’ might be a quite clunky translation of a concept that was not meant only to name an institutional form, but also, perhaps more importantly, to name a certain sort of action – acting publicly and acting in public understood as a distinctive  mode or medium of social organisation (see here and here for a neat summary of the continuing subtlety,  shall we say, of Habermas’ account of ‘the public sphere’ and the vicissitudes of its transition, indicating some of the reasons why fixating on publics might not be the advance it is sometimes assumed to be).

This is where the grammar of theories of publicness becomes important:

– If one talks in terms of making, enacting, or assembling publics, then the modalities of action are already presupposed (and the most important thing always seems to be the constructed qualities of publics, with slightly different inflections, as if publics were ever thought of as naturally occurring kinds). This type of formulation makes publicness the subject of a process that is not, strictly speaking, specifically public per se – I think perhaps only performativity has a genealogy that brings it up close to the distinctive problems of public action, in a way that assemblage, or enactment, for example do not quite share – these latter might be too comfortable in their assumptions about the sociality of collective action as distinct from its publicity.

– If, on the other hand, one talks of making things public – making science public, for example – then the emphasis is more squarely on publicness as a type of action. And this is where the fun starts – this action might be about sharing, or exposing, or making transparent or accountable or equally accessible….

My point, I suppose, is that one can either apply certain concepts of action derived from more or less proximate fields to understand the formation of publics; or, one can think a little more about the distinctively public qualities of certain types of action. I think the latter task is probably more difficult. The ‘politics’ of asserting that publics are performed, or enacted, or assembled tends to be relatively predictable and two-dimensional (since publics are made in contingent circumstances, they can be re-made, that sort of thing). The stake in theorising about distinctively public types of action is, I think, less satisfying: it requires thinking about power relations in more than two dimensions, in terms of the reconfiguration of plural public values – of openness, transparency, sharing, accessibility  and so on – rather than in terms of dualisms between public and private, universal and particular, natural or contingent, however ‘paradoxical’ those dualisms can be made to appear.

So my mid-year resolution is to try not to talk about publics at all, while trying to be more precise in usage when talking about public spheres, public spaces, and the types of action associated with processes and mediums of publicness.

We’re Number One?

Scan 130690012-8Simon Batterbury has added a comment on the short post about the ESRC’s International Benchmarking Review of Human Geography, which found that human geography in the UK ‘ranks first in the world’. I don’t get a lot of comments on this blog (I can’t imagine why, I find myself to be a very engaging blogger), so this is an opportunity that does not come along too often to keep a conversation going. Or to just have the final word, depending on how things develop. Here are some thoughts of mine on Simon’s thoughts – I have no specific desire to defend the claim of the Review, but it is interesting to think about how one might proceed to think ‘critically’, as they say, about this sort of exercise:

–       The first thing to say is that this isn’t actually UK geography’s own judgement of itself – it was the judgment of an international panel of scholars (some of whom seem to have quite well developed skills in analysing colonial remainders in contemporary life), undertaken at the behest of the ESRC.

–       Simon repeats the canard about British geography being all a bit too theoretical. That’s right, British geography departments are chock full of people writing complex exegeses of Marx and Spinoza. I suspect that if you looked closely, you’d find that even the most obvious targets of this sort of complaint turn out to be rather more practically oriented than is acknowledged (by adherents as well as doubters): take non-representational theory and/or affect theory, for example, the most self-consciously ‘theoretical’ field which almost everybody (including me) loves to get wound up by, but which seems to be able to inform plenty of interesting research on ‘applied’ topics such as health and well-being, educational attainment, or the design of built environments; even when it isn’t being all ‘relevant’ like that, this is a field that shares a broader disciplinary hang-up on methodology – if you want to know how to do something empirical with affect theory, then you read geographers writing about this range of work, not sociologists or literary theorists.

–       Simon’s suggestion that the ‘public sociology’ agenda needs to be extended to geography seems to get things the wrong way around – it is difficult to imagine another discipline that is not more invested in various fields of application than geography, including, as I have just suggested all that woolly ‘cultural geography’. Debates about public sociology seem to be a case of that particular discipline trying to catch up with other disciplines that have, as it were, always already sold-out.

–       I’m not entirely sure that environmental studies, development studies, political ecology, or planning are ‘fringe’ fields in human geography, in the UK or anywhere else – they seem to make up a large chunk of what has been taught and researched in any department I have ever been in as a student or lecturer.

–       I’m not sure why one would think of a department like Reading (where I worked in the 1990s) or the LSE as being anomalies for being a bit ‘applied’ – again, this is a fairly standard feature of geography departments all over the UK.

–       My last thought goes back to the precise ‘authorship’, shall we say, of this particular report – it’s one of a set of reviews of social science disciplines undertaken by the ESRC, the primary public funder of social science in the UK. These reviews need to be read, one might have thought, as strategic initiatives – they tend to identify weak areas in each discipline, marked for further support or enhanced training (not enough macroeconomics in economics, hilariously!); not enough quant in sociology, that sort of thing. They are moments in ongoing games over the disbursement of public monies, in which the institutional interests at stake are not exhausted by Universities or academic disciplines. They also tend to emphasise various strengths, and they are ‘co-productions’, between the ESRC and other research councils with disciplinary bodies, like the BSA or RGS – pumping-up strong areas is a way of making moves in competitive games for further government funding, amongst other things. Such evaluations also, no doubt, enable defenders of often fragile departments to make stronger cases for further support and investment in their programmes in their own institutions – that might well be where the real significance of ‘Human Geography is Number 1’ lies, whether or not that was intended. I suppose my point is just that ‘critical’ analysis of these sorts of exercises might well benefit from a bit more social science imagination, recognising how organised fields of institutional practice tend to work.

–       No other discipline subjected to one of these reviews has been found to be ‘No.1’ in the way human geography was. One can imagine how that might invite a view that this judgement is a kind of back-handed compliment that implicates a whole international field. On the other hand, it is interesting to pause and consider how valuable it might be that human geography isn’t self-evidently dominated by the scholarly infrastructures of the USA – not least, because it might tell us something about the peculiar strengths of human geography in North America and elsewhere too.

–       There is of course a well-established tradition of ex-patriot British geographers now located in the US bemoaning how British geography is not all it should or could be (I’m not counting Simon here, since I think one is allowed to rant in blog posts, and he’s not in the US I don’t think). I have in mind pieces more or less regularly published in proper grown-up academic journals. It is impossible to imagine a similar discourse emanating, say, from American sociology or American political science. There are complex reasons for this, no doubt, including biographical trajectories, but also to do with just how mainstream ‘critical’ approaches are to international human geography agendas. Or, to put it another way, UK human geography’s elevated international status is not straightforwardly a function of the qualities of UK human geography on its own, and I mean that in the best possible way.

Where can I find real democracy?

Simon Critchley has a short piece in The Guardian today, on the lessons and future of the Occupy movement and the Arab Spring. It argues that these events show us that ‘true politics’ involves two things – ‘a demand that flows from the perception of injustice’; and ‘a location where that demand is articulated’. There is, he concludes, therefore ‘no poitics without location’.

I’m interested in this sort of argument, and its appeal to these contemporary events, because they resonate with some of my own intellectual predispositions, yet I find something troubling about them (I’ve been trying to express some of the worries while e-chatting recently with Mark Purcell at Paths to the Possible about some of these things). I like the idea that politics, of the sort we like at least, democratic-y politics of a more or less radical sort, arises from a ‘felt sense of injustice’ as Honneth puts it somewhere, and have been trying to write about this idea and how it might be used to think about the relationships between democracy, place and space. So I keep writing papers which have titles like ‘locating democracy’, but the point of them is that actually (democractic) politics doesn’t have a location at all, it’s dispersed across different spaces; it might not even have a proper relation to any specific spatial figure of whatever sort.

Critchley’s piece is just one example of a range of academic commentaries which tend to repeat fairly uncritically the self-representation of activists about the political forms of Occupy, Indignados, and other movements – that these really are the emobodiment of a genuine re-birth of direct, consensual democracy stripped of the parasitical intrusions of representative politics. That’s what ‘real democracy’ turns out to mean.

I think it should be possible to affirm one’s solidarity with these movements without necessarily reiterating these claims without question. It should be possible to analyse the rhetoric and practice of anti-representation in these movements – ‘no parties, no banners’ – as a phenomenon worthy of investigation, not just present such claims as a matter of fact. Jodi Dean and Jason Jones have a really interesting piece on the question of how to think representation in relation to OWS, and it’s one of the few things of it’s sort that I can think of (it’s part of a special edition on the topic of ‘in defence of representation’). I’ve just started reading Pierre Rosanvallon’s Democratic Legitimacy, and it seems to me, for example, that these movements might fit quite well into his genealogy of the emergence of new modes of democratic legtimacy based on values of proximity and presence – my point being that what is required is an analytic imagination that can recognise the emergence of new forms without simply reproducing simplistic dualisms between direct and representative democracy which, while politically effective perhaps, don’t have much interpretative purchase if you think about it for a moment.

Back to Critchley; his piece starts out with a standard narrative device, we’ve all done it: power, as the ability to get things done, has become spatially divorced from politics, the means of getting things done (a globalization cliché he draws from Bauman). Well, maybe, maybe not, but even if this were the case, it would seem to require some thought about how poloitics can be re-spatialised to match the scaling up of power – an argument made by various traditions of thought, including plenty of geographers, and a staple of David Held-style cosmopolitanism. This is easier said than done in theory and practice no doubt, and the diagnosis might just be flawed anyway. But what I’m not sure about is whether Critchley’s conclusion from his starting point follows at all – that the divorce means we need to think about ‘true politics’ in terms of the figure of location. Something seems to get to go astray in the reasoning that starts by saying that power and politics have become too distant from one another and end up by saying that the most effective response is to take a stand in one place (after all, the most interesting aspect of these movements might well be not their ‘occupation’ strategies per se, but the movement of the strategies – that’s why they are called movements).

The attachment to location seems to have something to do with Critchley’s chosen view of contemporary protest movements as embodying values of directness, horizontality, assembly – it’s just one example I think of more general intellectual ‘moment’ in which the idea of true politics and real democracy has become associated with an image of the spaces of politics and democracy as real, physical places of co-presence and gathering together.

If one goes back to Critchley’s point about demands and injustice, then the figure of location seems, again, not to be quite adequate. If demands need to be articulated, then I’m not sure they need a location at all – a specific point, a localisation in space and time. They are, after all, articulated – a demand has a spatiality that is open to connection, combination, joining up. Not one of punctual presence or location. The space of demands generated by injustice is strung out, not gathered together.

Which doesn’t mean that ‘real spaces’ aren’t important. I just think it might be better to think of these spaces of demonstration as enacting a demonstrative force that is better thought of in terms, say, of the idea of spaces of address developed by Kurt Ivesen‘s work on public space. Or of locations as starting places, temporary stopping points. Which might well be move akin to the political geography of ‘occupying’. Even then, though, there might be pause for thought – Crtitchley ends with a call to move on and apply the force of this ‘true politics’ to the London Olympics, a recommendation which might well suggest a form of politics reduced to the purely tactical, tracking the eventalization of the world wrought by spectacular capital with events of its own. So much for getting things done.

And one final thought – Critchley is one of my favourite thinkers, his book on ethics and deconstruction was a fundamental influence on my thinking as a graduate student. It’s one place, though not the first (that was an essay by Nancy Fraser) where I remember learning about the importance of Claude Lefort to a whole strand of French thought that at that time was still being rudely called postmodern. I just wonder, remembering those things I learnt from reading Critchley back then, whether an analysis of true politics and real democracy that rests on the idea that power and politics have become divorced hasn’t lapsed into a certain sort of romantic amnesia about which it should really know better. Conceptually, normatively, the idea that power and politics should be married together, as it were, might be only rather ambivalently ‘democratic’, at best. Which isn’t to say that they should be separated, it’s just that what matters is the quality of the relationship. And conceptualising that relationship, its optimum shape, needs better analysis than can be provided by claims about the importance of location or the form of ‘true politics’.

The Femicide Machine: new book by Sergio González Rodríguez

I have just read a little book, an essay really, by the Mexican writer Sergio González Rodríguez, The Femicide Machine. He is one of a number of writers and journalists who have campaigned for justice for the hundreds of women murdered in Ciudad Juárez over the last two decades, or more. This is a subject that the geographer Melissa Wright has written extensively about, for example. Rodríguez’s book does not provide a load of background to this phenomenon – others, like Charles Bowden and Diana Washington Valdez do that – but it does provide a lite-touch theoretical contextualisation of what at first appears to be an almost incomprehensible level of misogynistic violence, and in particular, of the almost systematic failure of Mexican authorities to address the murders effectively. The language is Deleuzian, providing a sense in which ‘the femicide machine’ thrives in the spaces opened up by the concatenation between ‘the war machine’ (Mexico’s enrollment in ‘the war on drugs’) and ‘the criminal machine’, all in the context of the longer history of maquiladora-based industrial and urban development in northern Mexico (I think he might miss a theoretical trick by not connecting ‘assembly’-based manufacturing with ‘assemblages’, but that might not be the main point of the book). This is the ‘trasnlineal’ space of the US/Mexico ‘transborder’ zone, a space which  Rodríguez characterises by quoting Cormac McCarthy’s line that it is here that ‘the probability of the actual is absolute’.

I’m interested in this issue because 7 years ago now (7 years? Where did they go?), I was involved with some filming for an OU course which used the campaigns against femicide in Juárez as a case study for teaching students about the geographies of global responsibility. This was actually before things got really bad, since 2006, with the ratcheting up of militarised anti-drug trafficking on both sides of the border. It was at the time that Amnesty, the UN, Eve Ensler, and others were actively making the Juárez murders into an international issue – this is the issue that we focussed on (along with other issues, such as control of water along the border, the movements of people over the border, and work in the maquiladora – it’s not too late to sign up for the course). It was both a fascinating experience, and at times a very uncomfortable one, not least interviewing women involved in the femicide campaigns; and being detained by the Mexican army, for wandering across the Rio Grande (there was no water in it at the time; technically, we were trying to get into the USA, the U.S. Border Patrol just told us to go back, the Army weren’t pleased).

Actually, I think the most important part of Rodríguez’s book is not the analysis, interesting as it is, so much as the Epilogue, titled ‘Instructions for Taking Textual Photographs’. This consists of a ‘photographic mise-en-scene’ in which he narrates, in the first person voice of one mother, the circumstances surrounding the abduction, murder, and (non-)investigation of her daughter. The narrative here reaffirms the line of the preceding chapters, about how the perpetrators are known and hide in plain sight. This is followed by 20 pages of ‘photographs’; only, there are no photographs – just the captions, a line or a few sentences each, re-iterating the ‘scenes’ from the first person narrative, including ‘photos’ incriminating the perpetrators. It’s an interesting device with which to raise the question about the politics of representation of femicide and it’s victims, certainly. But by presenting the ‘photos’ (which presumably are both real and imagined, judging from their listed content) in this way, he is making the same point about the degree to which the real mystery here is not ‘who did it’ but why so little has been done to address the murders and the demands of victims’ families. The captions indicate the ‘truth’ of the case, the absence of the photos stand as a kind of accusation about a culture of institutionalised impunity – the book is, after all, a manifesto, an intervention.

Either that, or Semiotext(e) just can’t afford to reproduce photos in their books.

Neoliberalism after governmentality

A good crisis is usually bad news for rigorous thinking, and so it seems as the term ‘neoliberalism’ ossifies into a catch-all popular phrase to describe all the things that right-minded lefties don’t like and blame for current troubles. Oh well. I suspect the systematic mis-representation of the past 40 years or so of politics, policy and economics which the ‘critical conventional wisdom’ on neoliberalism sustains (in both Marxoid and Foucault-inflected variants) is a hindrance to the development of creative alternative visions of democracy and economic life. The ‘critical conventional wisdom’ line is from a new book by Stephen Collier, Post-Soviet Social: Neoliberalism, Social Modernity, Biopolitics. Collier is an anthropologist, and has developed a similar line of critical thinking about ‘neoliberalism’ and the use of Foucault to that of James Ferguson – Collier has an excellent 2009 paper in Theory, Culture and Society on the need to move beyond analyses of governmentality that just extend old-style models of ‘power’ (on a related note, Michael Warner’s recent piece on the past and future of queer theory is another reminder of the degree to which political readings of Foucault tend to rush over the problems of thinking about normativity, towards simpler ideas of the power of ‘norms’; or, to put it another way, conventional accounts of governmenality and neoliberalism are remarkably ‘straight’ in the ways in which they think about subjectivity, power, and the like).

The book is a detailed empirical analysis of the restructuring of ordinary spatial infrastructures in Russia over the last two decades, but one which seeks to challenge a series of settled understandings about The Washington Consensus, neoliberalization, and the like. It’s very ‘geographical’, partly in its focus on urban and regional scale issues, but it also has a much more interesting line on how to think about the geographies of ‘neoliberal technologies’ than the standard diffusionist line peddled by many geographers. There are various notable features of Collier’s analysis:

– it looks at ordinary practices of governance, how they arise as problems in specific situations, rather than tracking circulations of policy discourse;

– related to this, he focuses (at last, someone has, one might think), on a set of ‘neoliberal’ thinkers beyond Hayek, Friedman, etc – in this case, James Buchanan and George Stigler; theorists of government, law, regulation, the state, institutions, not ‘markets’; as I have suggested here before, the insistence on thinking of ‘neoliberalism’ as a theory of markets-against-the-state is factually wrong and analytically short-sighted;

– he insists on thinking of neoliberalism as a precise range of ideas and practices, in line with the quite restrictive sense that Foucault deployed in his 1978-79 lectures on biopolitics, and resists the ‘hegemonic’ interpretation which insists that everywhere neoliberalism turns up it must and does become the dominant dynamic (i.e. neoliberalism might not be the most important thing that has been going on, always, and everywhere, once one stops calling all sorts of things ‘neoliberal’);

– and he develops the intriguing thoughts of Foucault on socialist governmentality, focussing ‘methodologically’ on thinking about socialist biopolitics from back in the 1920s, and in terms of the analysis of ‘problematizations’ rather than coherent systems of ‘governmentality’.

The thinking that Collier, Ferguson and others are doing about these issues strikes me as really important – it’s not just ’empirical’, but cuts to the heart of some prevalent ways of doing theory which have arisen around topics such as neoliberalism, concepts such as governmentality and biopolitics, and imperatives for academics to be ‘critical’.

Demonstrative Theory

Current events ‘out there’, in the streets no less, have been an occasion for the rehearsal of various theoretical standpoints on the meaning of democracy and the status of politics. Some writers have presented recent politicizations of public space as models of a purity of political action consisting of the expressive presence of bodies in space, as confirming both that this is all that is left politically and that this is what is most proper to left politics (a shout-out here for my old friend Andrew Merrifield, who provides a most eloquent variant on this theme in the latest New Left Review). I’m in no position to evaluate or assess the contours of these movements (there is no Occupy Swindon movement, nor do I expect there one to be anytime soon), but there is something about this sort of interpretation that doesn’t quite ring true for me.

There are some interesting blog discussions sparked by a piece at Critical Inquiry’s new blog site on Occupy Theory. What this piece raised for me was the question of how far one thinks of theory as essentially an interpretative device, used to give meaning to an event or events; or how far one thinks of theory as a hypothesis generating machine, something that raises questions about an event. There is a new site at Possible Futures that does some of this latter sort of theory work, including essays by Saskia Sassen and Craig Calhoun (newly announced as the next Director of the LSE – what a great appointment). Calhoun’s piece, for example, raises some interesting questions about how policing of protest has changed time. At TomDispatch, Rebecca Solnit has a piece about the Occupy movement in the US connects with longer traditions of civil society and non-violence movements, and this reminded me of arguments about the idea of the US in particular as a ‘movement society’ – there are interesting generational effects at work behind these protest movements which deserve more attention.

The fascination with the occupation of real space also surely needs to be put in the context of how this form of ‘presencing’ reverberates through other spaces, including mediated ones (it was all kicked-off by Adbusters, remember), but also through time, and above, there is the vexed question of how this moment of protest (not just the Occupy example, but also the return of street protest in Egypt) interacts with the sequencing of electoral cycles. Given the likely geographical dynamics of the 2012 US Presidential election, for example, it is interesting to speculate on how far the populist sentiments expressed by the Occupy movement will be articulated in the coming year, and by which side. Sidney Tarrow had an interesting little piece in Foreign Policy a month or so ago, on OWS as a ‘we are here’ movement akin to the women’s movement, the point being about the long-term effects of this ‘event’. Tarrow and Doug McAdam also have an interesting piece on the relationship between social movement scholarship and electoral studies, from 2010, but which is rather prescient in light of recent events in the USA – one of their points is that analysis of movements tends to be overly movement-centric, and underplays the role of electoral politics in generating and orienting non-electoral, non-party mobilisations, campaigns and protests: this point appears to be well supported by the resurgence of protest in Egypt these last few days, as Mariz Tadros argues at the IDS blog, in which the relationship between street mobilizations and elections is central.

Is governmentality a dirty word?

What difference, I wonder, has the publication in English of Foucault’s lecture course on The Birth of Biopolitics, which aren’t, after all, actually about biopolitics, made to ‘hegemonic’ theoretical accounts of the rise and spread and future of neoliberalism? The newly available ‘voice’ of Foucault in these and other lecture courses might well support the established interpretative conventions under which neoliberalism appears as an object of critical approbation.  

There is plenty there that will be grist to the ‘neoliberalization’ mill, providing a further impetus to the instrumentalization of ‘governmentality’ and ‘biopolitics’ as the descriptive adjuncts to a recidivist Marxist narrative in which ‘the State’ has come to directly voice the interests of a singular capitalist class, and to diffusionist accounts of the spread of ‘neoliberal reason’. Foucault can easily be made to seem remarkably prescient in focussing so much attention, way back in 1979, on the cusp of the Thatcher and Reagan ascendency, to the topic of neoliberalism. There is a sense of inevitability that the publication of these lectures will just give further impetus to the trend analysed by my colleague John Clarke, for ‘neoliberalism’ to become an object without which the contemporary academic left just could not live.

Is Foucault criticizing neoliberalism in these lectures?

On closer inspection, of course, Foucault’s account of ‘neoliberalism’ is not straightforwardly a critique of a free-market, laissez-faire ideology at all: Foucault’s ‘neoliberalism’ isn’t just about ‘free markets versus the state’ for a start; and it might not even be a critique. His account reconstructs economic liberalism as a line of thought in which markets are conceptualised as a model for limited government, a model which does not appeal to ideals of a subject naturally endowed with rights. In this respect, in the emphasis on thinking about neoliberal thought as a quite specific tradition of thinking about legitimation, the state, and law, there are some interesting overlaps with Raymond Plant’s recent account of neoliberal thought. This emphasis makes quite a lot of difference, I think, to how an assessment of what’s wrong with neoliberalism in theory and practice could even get off the ground (it means, for example, restoring to view the philosophical issues at stake in 1920s and 1930s debates about ‘socialist calculation’, in which issues of empiricism, rationalism, and the possibilities of imagining and institutionalizing genuinely democratic governance of economic relationships were central; the elision of this dialogic context from which neoliberalism emerges is symptomatic of a rather important silence in existing critical accounts of neoliberalism when it comes to thinking seriously about alternative models of democratic politics and policy).

Foucault’s lectures on neoliberalism certainly bear the unmistakable trace of their own moment, a context of distinctively French debates, for example, about the state, channelled through a reflection on the trajectory of the post-war German SPD. Foucault presents the SPD’s Bad Godesburg moment as indicative of more than simply a submission to electoral logic, but more ‘positively’ as one moment when socialist politics acknowledged the imperatives of governing.  

It’s this interpretation of the trajectory of twentieth-century left-wing political thought that is one of the most interesting aspects of these lectures. Two thirds of the way through the year’s course, Foucault gives two reasons for spending so much time on this particular intellectual constellation of economic liberalism, one methodological (trying to test whether the analysis of relations of power rolled out the previous year translates to this subject matter); and one related to what he calls ‘critical morality’. It’s this second reason that is both a direct index of one aspect of the historical context of the lectures, but which also provides perhaps the most interesting interruption, as it were, to contemporary formations of the political significance of ‘Foucault’.

A recurrent theme in the lectures is the ‘phobia of the state’, and the suggestion of a link, an elective affinity of sorts, between right-wing neoliberal ideas and left-wing critiques of the state as capacious, bureaucratic, omnipotent, violent, paternalistic. This feature of the lectures presents a puzzle – Foucault is hardly a friend of the state, after all. The consistent theme in Foucault’s political thought of de-centring the state from the imagination of power is not only a theoretical claim, it’s clearly a normative position too, implying the need to decentre the state as the privileged locus of attention in imagining political action. The puzzle becomes a bit less puzzling when Foucault talks about the way in which state phobia encourages what he calls ‘the interchangeability of analyses’ – how it makes possible the running together of different sorts of analysis into a general critique of ‘the state’. State phobia turns out to be a mirror image of statism – both fail Foucault’s ‘test’ of genuinely innovative thought about power, as it is articulated in these lectures at least, which is to face up to the challenge of thinking positively about the exercise of power rather than simply denouncing it (the sense of governmentality as the unthought dimension of left-politics in these lectures is surely a challenge to those attempts to re-claim Foucault for an old-fashioned revolutionary image of politics).

Is this just a 70s thing?

There is an interesting coincidence between Foucault, identifying this ‘critical’ intention behind his treatment of neoliberalism, and Stuart Hall’s canonical analysis of Thatcherism, which dates from the same time – 1978, 1979, and 1980. What both accounts share is a polemical background in which it is the habits of left politics and theory that are a constant target. As Michael Berubé has argued, Hall’s conceptualization of Thatcherism/neoliberalism was directed as much, if not more, to developing a critique of established conventions of left-thinking as it was with analysing right-wing conservative politics per se. Berubé’s point is actually that this aspect of Hall’s analysis has largely been overlooked, in the US context in particular, with the result that many of those theoretical-critical habits remain prevalent, with some unfortunate consequences.

Foucault’s critique of left habits of criticism is less sustained in these lectures than was Hall’s, amounting to a few passing, suggestive remarks. But the same question arises as that raised by Berubé in his defence of the continuing relevance of Hall’s thirty year old analysis of Thatcherism, of whether the challenge his account of neoliberalism presents to inherited habits of left criticism will be acknowledged or glossed over.

The relevance of this dimension of Foucault’s neoliberalism lectures does seem to be attracting attention amongst some commentators. Colin Gordon, for example, has suggested that the ‘critique of critique’ contained in the 1979 lectures might require ‘wide swathes’ of contemporary critical thought to be re-assessed. Paul Patton, who has been writing some interesting things about how Foucault might turn out be ‘more normative’ as a thinker than we are meant to believe, picks up on the same element of the 1979 lectures – to raise question of what sort of critical project is performed by this analysis of neoliberalism. Michael Behrent goes even further, arguing that Foucault actually seems to be ‘strategically endorsing’ neoliberalism, and for reasons which are quite consistent with a long-standing anti-humanist perspective.

I think the most forthright response to the sorts of challenge which Gordon, Patton and Behrent identify in Foucault’s lectures on neoliberalism comes from James Ferguson, who has a new essay on ‘Toward a left art of government’ in a special edition of History of the Human Sciences dedicated to assessing Foucault’s impact across disciplines. There is no mention in this collection of Foucault in Geography, but Ferguson’s account of Foucault in anthropology overlaps with and certainly resonates with the world of geography. Indeed, this piece is a more succinct version of an argument on ‘the uses of neoliberalism’ that Ferguson elaborated last year in Antipode. In that piece, Ferguson articulated the reasons why the running together of Marxist accounts of neoliberalism and those inflected by Foucault’s account of governmentality hides from view a quite distinctive political sensibility which might be retrieved from the analytics of governmentality. Ferguson identifies a standard style of critique as denunciation of exploitation, inequality and oppression, but suggests this might be rather limited: “But what if politics is really not about expressing indignation or denouncing the powerful? What if it is, instead, about getting what you want?” This latter question, he continues, “brings us very quickly to the question of government. Denunciatory analyses often treat government as the simple expression of power or domination—the implication apparently being that it is politically objectionable that people should be governed at all. But any realistic sort of progressive politics that would seek a serious answer to the question “what do we want?” will have to involve an exploration of the contemporary possibilities for developing genuinely progressive arts of government.”

The challenge of developing progressive arts of government that Ferguson is presenting in these pieces is, it should be said, not necessarily dependent on a claim to the textual authority revealed in the ‘new and improved’ Foucault (for one thing, the fundamental normative break indicated by the notion of governmentality, around thinking about freedom as a real and not illusory dimension of the exercise of power, is already clear in the first volume of The History of Sexuality and other pieces available for two decades now – the really interesting question to ask is why this shift has been so difficult to acknowledge from within the confines of contemporary left theory – the exceptions might be some strands of queer theory, and a pragmatist strain of cultural policy studies that flourished in Australia in the 1980s and 1990s).

Ferguson’s arguments draw as much from the empirical work he has been involved in Southern Africa (and for that reason, his ambition to develop “a truly Foucauldian politics” seems to me to be rather irrelevant). Ferguson recommends the cultivation of a political sensibility of ‘empirical experimentation’ rather than of denunciation and resistance. This recommendation draws on his work on the politics of development and poverty alleviation, not least in South Africa. Now, South African social policies have become one paradigm for the established narrative of neoliberalization, focussing on the privatization of services through cost recovery schemes in water, electricity, housing and related sectors. The degree to which these observable empirical processes actually confirm a ‘neoliberalization’ narrative has been challenged, however, for example by Jenny Robinson and Sue Parnell – they argue that the developmental imperatives at work in Global South contexts like South Africa might be much more ‘determinative’ of the politics of travelling policies than the putatively ‘neoliberal’ content of any specific market-related mechanism. Ferguson’s story is along the same lines, arguing that the observable trend for the expansion of social payments to the poor across much of the developing world demands more than an analysis based on suspicion and denunciation. Ferguson suggests that the difficulty that left-academic analysis has in acknowledging these forms of governmentality as potentially progressive arises from a problem identified by Foucault in his lectures of neoliberalism, namely the failure to develop what he called, way back then in the 1970s, a ‘socialist’ rationality of government. Ferguson’s implication is that you can in fact find in certain fields of contemporary development policy the outlines of distinctively left arts of government.

One thing that Ferguson’s argument asks of us is to rethink the long-standing tendency to think of ‘technical’ or ‘administrative’ procedures and practices as vehicles of de-politicization. Of course, this assumption is basic to a standard style of critical analysis: demonstrating that such procedures and practices are really political, not merely technical, is the first trick of critical analysis; then pointing out that they are doubly political because they also effectively de-politicize or cover over their own political status, that’s the second, more advanced trick. Here is Ferguson, on this critical procedure in anthropology, but which is familiar too in geography, cultural studies, and so on:

the characteristic strategy is to use Foucauldian analysis to reveal the way that interventions, projects, etc., which claim to be merely technical or benevolent, really involve relations of power. This is a perfectly reasonable thing to do, but too often, in this field, such a simple demonstration is apparently seen as the end of the exercise. Power has been ‘critiqued’, an oppressive system has been exposed as such, and that seems to be taken as a satisfactory end to the matter.” (2011, p. 62).

Ferguson suggests that this model of critique is actually closely related to a more fundamental predicament of the left:

The predicament is that the left seems increasingly to be defined by a series of gestures of refusal – what I call ‘the antis’ (anti-globalization, anti-neo-liberalism, anti-privatization, anti-Bush, sometimes even anti-capitalism – but always ‘anti’, never ‘pro’). The current world system, the politics of the ‘anti-’ points out, rests on inequality and exploitation. The global poor are being screwed, while the rich are benefiting. The powerless are getting the short end of the stick. This is all perfectly true, of course, if not terribly illuminating. But such lines of argument typically have very little to propose by way of an alternative ‘art of government’. Governing is exercising power over others, which is what the powerful do to the downtrodden. It appears as something to be resisted or denounced, not improved or experimented with.” (2011, p. 62).

Ferguson is on to something here, in identifying the degree to which received models of ‘Foucault’ support a style of critique in which the exercise of power is understood to be inherently dubious, at best an unfortunate necessity, and in which subjection to external norms is understood to be a fundamental source of harms.

Of course, Ferguson’s own work might be one source of the critical attitude he is analysing here. The Anti-Politics Machine is a story all about how development projects have de-politicizing effects, and it stands in a line of empirically grounded work on such topics as ‘the will to improve’ and ‘the will to empower’ which exemplify a style of analysis which demonstrates the political effects enacted through bureaucratic and technical practices undertaken with good intentions. More recently, Ferguson’s contribution to the analysis of ‘transnational governmentality’ and the critique of ‘state verticality’ might also easily lend itself to the standard interpretation of governmentality as a really sneaky way of extending disciplinary power. But in fact, this latter strain of work seriously undermines some of the assumptions underlying the critical conceptualization of neoliberalization, in so far as it unpicks the presumptions about the historical formation of welfare states, generalised wage labour, unionization and the like which underlie that conceptualization. Actually, critical theories of neoliberalism and neoliberalization might exemplify what after Raewyn Connell, we can call ‘Northern Theory’. The institutional norms presumed by those theories, in developing their historicist accounts of rolling-back, privatizations, accumulation by dispossession, and the diffusion of mobile policies, might be really quite peculiar. Once you notice this, processes theorised under the rubric of neoliberalism might look a little different, thought no more rosy necessarily. For example, Ferguson’s attention to the proliferation of social assistance programmes chimes with Partha Chatterjee’s analysis of the changed dynamics of political power in contemporary India. He suggests that the proliferation and extension of agencies distributing education, health, food, water, electricity and other services is an index of a quite specific democratic imperative to correct for, to compensate for, the effects of ongoing ‘primitive accumulation’. This process is, on his analysis, mediated by the demands and negotiations of ‘political society’ (it’s therefore far from merely technical or administrative, but political all the way down in its mundane, everyday qualities of negotiation, claims, and representation), and this dimension might well underlie the politics of corruption, anti-corruption, populism and anti-populism evident in India and other places. From Chatterjee’s perspective, it seems that what geographers and others have theorised in terms of ‘accumulation by dispossession’ is ‘overdetermined’ when set in the context of existing democratic settlements, and can generate an expansion of certain sorts of public, redistributive functions of the state, not their diminution – and that this needs to be understood as an extension of the political field, not as an index of post-politicization.

What has critique got to do with governmentality?

Ferguson’s argument about ‘left arts of government’ is a challenge to received understandings of Foucault as a kind of critical theorist. There is a long-standing history of attempts to redeem Foucault as providing a worthy model of political critique. But most of these end up restricting the ‘affirmative’ dimensions of Foucault’s genealogy of modern critique to the practice of cultivating alternative aesthetics of the self, a tendency that only tends to underscore the broader idea that the normative horizon of proper critique is shaped by the will not be subjected to the norms of others, by the will not to be governed. Now, I think Ferguson’s argument about this issue stands up irrespective of whether you can find a textual source in Foucault’s works to support it. But he certainly does help draw into focus those moments when Foucault does seem to extend the affirmative dimensions of ‘critique’ beyond this narrowly aesthetic model of the care of the self (Pierre Hadot once perceptively  suggested that this dimension of Foucault’s later work, if taken too seriously, threatened to authorise ‘a new form of Dandyism, late twentieth-century style’ – a point, I take it, that helps us to see the inherent dangers of constructing critique as a vocation that rests on unacknowledged conditions of social distinction).

There is an interesting section of Foucault’s 1978 lecture on ‘What is critique?’ which Ferguson’s piece made me go back and look at – recently translated in the Semiotext(e) collection The Politics of Truth. Here, as in the much commented up essay on Kant’s ‘What is Enlightenment?’, Foucault locates his own ‘critical’ vocation as an inflection of distinctively modern, liberal models of critique – and in particular marries up critique to the historical trajectory of ‘governmentalization’ he discerns. On one level, this reads like the standard story about how critique is internally related to governmentality, not a transcendental viewpoint outside power, and so on. The governmentalization of individuals and society is, so he argues, related to the emergence of the question of ‘how not to be governed’, the question at the heart of liberalism, and of a distinctively modern ‘critical attitude’. Foucault specifies the nature of this relationship of critique to processes of governmentalization quite precisely, in a passage that repays a slow reading:

Facing them head on and as compensation, or rather as partner and adversary to the arts of governing, as an act of defiance, as a challenge, as a way of limiting these arts of governing and sizing them up, transforming them, of finding a way to escape from them or, in any case, a way to displace them, with a basic distrust, but also and by the same token, as a line of development of the arts of governing…” (2007, pp. 44-45).

This is Foucault’s summary of a general cultural form of ‘critique’, defined as “the art of not being governed or better, the art of not being governed like that and at that cost” (2007, pp. 45). An awful lot might depend on how you interpret the hesitation, ‘or better’, and the clarification that follows. Foucault ends the passage with a line about critique being about ‘the art of not being governed quite so much’. But the more interesting focus is not on the quantity, let us say, of government to which one might be subjected, but its quality – the recurring emphasis in this essay is on critique being related to not being governed ‘like that’. Again, this sits easily within a received model of Foucault as recommending a situated model of critique. In the Q&A published alongside this essay, Foucault clarifies further, saying that critique is not animated by the will not to be governed at all – he disavows the stronger impression attached to the idea of not being governed at all, and does not endorse what he calls the ‘fundamental anarchism’ that is totally resistant to any governmentalization.

Ferguson’s argument makes you notice the second part of the quote above – the bit which opens ‘but also and by the same token’… Before that, critique is still easily read as being a corrective, a mode of more or less resistant engagement – a view that still informs a model of critique as ‘a series of gestures of refusal’, a practice of “voluntary insubordination” and ‘de-subjectification’ that seems to confirm Hadot’s warning about dandyism. In a few words, Foucault then says that critique is also ‘a line of development of the arts of governing’. That seems a much more interesting suggestion, one which might well support Ferguson’s call. It seems to suggest that critique is not just a suspension of the ‘programmatic’, but requires a ‘reconstructive’ moment, if you will. If it doesn’t, in fact, if it’s only a shred, then so be it – as I said, Ferguson’s argument carries its own force, and is not best read I think as an argument about how best to interpret Foucault. But I do think there might be something about ‘being in the true’ of received interpretations of Foucault that make those moments like this which support an interpretation like Ferguson’s really difficult to acknowledge.

Ferguson does call on Foucault’s authority, of course, in developing the argument about the need to develop progressive arts of government. In particular, he refers to the line in the 1979 lectures in which Foucault talks about socialism lacking not a theory of the state but a governmental reason, ‘a definition of what a governmental rationality would be in socialism’ (this theme was a topic of an unfinished project with Didier Eribon, reported in Eribon’s biography of Foucault and in David Macey’s too, and is another index of a particular moment in French political culture). In his Antipode essay, Ferguson focuses in on the claim that this absence is the mark of a failure of the left to answer the question of power and its exercise’ as a positive aspect of left politics. For Foucault, this absence if revealed most clearly in ‘the relationship of conformity to a text’ that defines left politics in the twentieth-century – in the concern with Theory, and with thinking of politics in terms of ideology, and by extension, to a subject-centred model of left-politics (which raises some interesting questions about the degree to which the continuing focus of left-analysis on Theory, not least Foucault’s, and often in terms of subjectivity and subjection, is a sign of the ongoing failure to address questions of ‘governmental reason’ in a pro-active fashion).

In Foucault’s story, it’s the absence of a socialist account of governmentality appropriate to itself that accounts for the ease with which in practice socialism had been attached to diverse types of governmentality: “here it is connected up to this governmentality and there is it connected up to another, yielding very dissimilar fruit in both cases and, in the event of course of a more or less normal or aberrant branch, the same deadly fruit”. Herein lies the basis of Foucault’s argument about the relationship between the SPD and the ordo-liberals – this is a contingent attachment to ‘neoliberal’ governmental reason, the significance of which is to illustrate the general point about the absence of a socialist one ‘properly’ its own (I think this is an interesting line of thought, not least in relation to understanding how a set of debates in the UK in the 1980s and early 1990s around market socialism, for example, collapsed and seemingly disappeared in the embrace by ‘New Labour’ of certain strains of ‘neoliberal’ thought).

Ferguson reads this aspect of Foucault’s argument to support his case that ‘neoliberal’ techniques might be ripe for appropriation, for re-use for progressive purposes: “Techniques have no necessary loyalty to the political program within which they were developed, and mechanisms of government that were invented to serve one purpose can easily enough be appropriated for surprising other uses.” I’m broadly sympathetic to this argument, but I wonder if there isn’t a danger of conflating ‘techniques’ and ‘governmental reason’ going on here. The idea that re-using neo-liberal techniques – market mechanisms of various sorts – is a response to Foucault’s challenge about the absence of left arts of governmental might get things the wrong way around – such re-use might, in the absence of an articulate ‘left governmentality’, be symptomatic of the very absence Foucault diagnosed. It’s not ‘techniques’ or ‘technologies’ that are the problem (I leave aside the question here of whether and why one should consider all market mechanisms to be meaningfully described as ‘neoliberal’). What Ferguson’s appeal to Foucault here suggests is that just what is meant by ‘governmental reason’, or ‘governmental rationality’, might require a little more careful clarification – arts of government might not be quite the same as technologies, however broadly the latter term is understood.

Where can I find ‘progressive arts of government’?

Ferguson’s argument about ‘progressive arts of government’ actually reminds me of Erik Olin Wright’s work on ‘real utopias’ which I have posted about previously. But not just because I read it a little while ago. The connection might seem strained – Wright is no Foucauldian; Ferguson is not an analytical Marxist. But the connection is, appropriately, empirical – both focus on experiments with basic income schemes and social grants as models of alternative political and policy engagement. In fact, there are some interesting overlaps between Wright’s interest in basic income schemes, Ferguson’s focus on social assistance programmes and cash transfers, and Chatterjee’s reference to poverty alleviation projects – not least, these all seem to share a focus on de-linking government supported consumption from wage labour, and in that respect, have rather interesting overlaps with Milton Friedman’s model of the ‘negative tax’, a model discussed by Foucault in the 1979 lectures, which also provides for cash handouts to the poor irrespective of behaviour, of ‘desert’. Foucault did not deny the obvious politics of this model in terms of not addressing causes, not redistributing, not interfering with markets – but he seemed to be most interested in the fact that this model was ‘much less bureaucratic and disciplinary’ than classical forms of ‘liberal’ intervention.

Ferguson asks us to look upon these sorts of experiments in social assistance in a more positive light than received models of critical analysis might suggest, and not least to consider seriously the degree to which they represent genuinely alternative forms of governmentality – that is, of progressive political imaginations that do not eschew institutionalisation or governing as unhappy moments of selling-out or compromise. What Ferguson presents as the appropriation of ‘neoliberal’ mechanisms for different ends, theorists of neoliberalization would see as proof of the mutantly capacious quality of neoliberalism. The difference is, at the end of the day, a conceptual one –Fergusondoes, as I have said, remind you of the degree to which the conceptual frame that sustains the capacious interpretation is tied to certain normative blindspots about the experience of Western Europe and North America. It should also be said that the idea that anything touched by neoliberalism is therefore infected all the way through with neoliberalism rests on a power of influence never adequately theorised by its proponents. To suggest, as Robinson and Parnell do, that there might be more powerful influences at work in many contexts than ‘neoliberalism’ doesn’t mean everything is rosy – it just might mean accepting there are worse things in the world, politically, than neoliberal ideas, techniques, and rationalities.

I guess that I like Ferguson’s argument because it presumes that politics can take new forms – that the political meaning and effects of practices cannot be read-off from their origins, nor indeed from their ‘content’. Presuming that they can, that ‘neoliberal’ practices are always and everywhere tending towards the same political intention or outcome for example, is one mark of a style of thinking about politics in an excessively ‘textual’ or ‘theoreticist’ way.

Can governing ever be properly political?

The question which Ferguson raises, about the possibility of developing distinctively left or progressive arts of government, doesn’t really arise under the influential interpretation of politics in terms of the categorical, ontological division between politics and the political. In its different more-or-less poststructuralist variants, this conception of ‘the political’ effectively disavows the exercise of power as a properly political activity – this is rendered a matter of ‘police’, of ordering, of mere governing, of the instrumental and the programmatic, whereas ‘proper politics’ is reserved for the activity of disrupting and challenging settled conventions (not all usages of the notion of ‘the political’ have this kind of inflection of course – Habermas has an interesting recent essay in a collection on religion in the public sphere in which he suggests that the concept of ‘the political’ that has come back in to fashion under the influence of Laclau, Agamben, Lefort, Nancy and others does have some use, although for him this is primarily as a type of empirical concept – a usage that requires, as he puts it, that philosophers give up any special claim to competence over the realm of ‘the political’ compared to mere politics and policy studied by social scientists: ““The political” no longer appears to constitute a serious philosophical topic alongside “politics” and “policies””. Of course, the reassertion of ‘proper’ senses of politics and democracy under the influence of a priori concepts of ‘the political’ represents precisely the opposite of this acknowledgement – it is an assertion of the privilege of a certain model of philosophical reason to expound on aspects of ‘the political’ that remain covered over by merely ‘ontic’ fields of social science enquiry).

As I suggested, governmentality has become widely associated with this same disavowal of the exercise of power under the imperative of ‘critique’. It is a concept that has routinely been collapsed back into an essentially ‘disciplinary’ imaginary of the critique of power, used as a smart word for ‘social control’ . On this view, critique is certainly understood as an ‘ethos’, as James Tully puts it, and as arising from within situated practices of the exercise of power, but is still understood in terms of the imperatives of suspicion.  Recent Foucauldian accounts of critique in terms of desubjugation and voluntary insubordination  continue to emphasise the sense of critique as primarily a personal vocation shaped by the ethical imperative of resisting the force of externally imposed norms.  

Ferguson’s argument about left arts of government implies a more affirmative attitude towards the exercise of power, as the flip-side of the conditional concern with not being governed like that – a concern which seems to imply the possibility of articulation of how one might prefer to be governed, like this. Other people have touched on the same theme as Ferguson – Nikolas Rose ended his Powers of Freedom with a few suggestions about analysing the governmentalities of radical and alternative social movements, and Arjun Appadurai has discussed the theme of counter-governmentalities. These ideas also suggest that left politics is best understood as a modality for the exercise of power, not its transcendence (I once flirted with the idea of ‘bottom-up governmentality’ but never really pursued it). But these themes remain undeveloped – when they are acknowledged, for example in ideas such as ‘civic governmentality’, it is normally to support a further round of ultra-critical vigilance in revealing the unfortunate by-products of governing or subjectification associated with such movements. In so far as the ‘new’ voice of Foucault comes to support the regime of truth around which the imperatives of academic critique are already formed, and not least to support a model of critique centred on the problematization of subjectivity (one’s own as much as other people’s), then nothing much will have been added, and the sorts of questions which Ferguson raises will likely continue to find expression only on the margins of this intellectual field.

Talking about practices

There is an interesting paper now online in Area by Russell Hitchings titled ‘People can talk about their practices’. Now, you might think that the immediate response to that assertion is ‘Of course they can’. After all, if they couldn’t, we certainly wouldn’t be able to. But Hitchings’ paper is intervening against what has become an orthodoxy of sorts, at least within the weird world of social and cultural geography, to the effect that interview methodologies, and talk-based methods more generally, are irredeemably ‘representational’ and therefore unable to ‘capture’ all that is most fecund about everyday, routine, habitual practices. Here is the abstract of the paper:

“This paper considers the value of using interviews to research routine practices. Interviewing could easily be framed as inappropriate for this task, either because such practices are too difficult for respondents to talk about as a result of having sedimented down into unthinking forms of embodied disposition or because this method is out of step with a current enthusiasm for research styles that do not focus unduly on the representational. The discussion starts with how some key proponents of social practice theory have characterised the possibility of talking with people about these matters before turning to my own experience with two interview projects that attempted to do so inside city offices and older person households. I conclude that people can often talk in quite revealing ways about actions they may usually take as a matter of course and offer suggestions about how to encourage them.”

Whatever happened to make an entire sub-discipline of human geography, supposedly one of the most important ones too, follow a theoretical and methodological path that leads to a point where an argument like that of Hitchings in this paper has to be articulated at all, and somewhat tentatively at that? I have to say that I have shared the same ‘unease’ that Hitchings mentions in his piece about having invested time in interview-style research – but then I remembered the problem isn’t really mine. We wrote about some of these same issues in our book on ethical consumption, in the chapter grandly called ‘Grammars of Responsibility’, which seeks to make sense of how interactive talk-data (i.e. focus groups) can help to throw light on everyday practices. I think the ‘non-representational’ prejudice that provoked this chapter, and seems to have provoked Hitchings’ piece too, revolves around three related intellectual moves:

1). One of the oddest, yet most resilient, themes of recent discussions about theory and methodology in human geography is the idea that ‘discourse’ and ‘textuality’ and ‘language’ have been thought of as ‘representational’ mediums until, roughly speaking, about 1996, when geographers discovered the joys of ‘non-representational’ styles of thought (i.e. finally got round to reading Deleuze). Needless to say, this is deeply silly. Doing things with words, indeed.

2). One of the recurring motifs of discussions about exciting and creative methodologies in this strand of human geography for more than a decade now has been the idea that some approaches can’t quite ‘capture’ aspects of practice, process, emergence, becoming – life itself. And some other approaches – non-textual, non-discursive ones, often ‘visual’ methodological approaches, by extension are presented as a little better, if not a lot better, at ‘capturing’ things that are in motion, emergent, inventive. Needless to say, no methodology is meant to aspire to capture anything, one way or the other. Social science is not best pursued on the assumption that what most matters is elusive or evasive.

And the idea that visual methods somehow avoid the ‘representational’ – let’s call it the ‘interpretative’ for clarity’s sake – is based on a massively embarrassing philosophical error (and that’s leaving aside obvious points about technical mediation and framing): just looking at an event, an action, a scene, is not enough to tell you what that event, action, or scene actually is (i.e. what practice it belongs to). Knowing what some embodied sequence of movement is depends on ‘getting’ something about it, something about context, about intention, about meaning.

To presume otherwise – to presume that knowing the full significance of an observed action or interaction or sequence of events can somehow do without or marginalize the shared understandings expressed in the things that participants might have to say about them – is, again rather oddly, not only to negate the interpretative competency of ‘people’ who are the subjects of social science research, but is to reproduce a very old-fashioned preference amongst social scientists for third-person, externalist, causal accounts of action over and above those provided by first-person perspectives of participants.

3. There is a kind of ‘political’ failure involved in the denigration of language/discourse/textuality in the name of the non-representational. Geographers of a culturalist inclination have spent a decade or more worrying about the ‘symmetry’ between humans and non-humans. In the process, they have managed to forget about the more fundamental ‘symmetry’ that underwrites any such ontological levelling – the symmetry between academic/expert discourse and lay discourse. This is the symmetry at play in Luc Boltanski’s attempt to reconstruct the grounds of critique in social theory; in other terms, it’s also at stake in Andrew Sayer’s otherwise rather austere account of ‘why things matter to people’. John Levi Martin, in what is without doubt the funniest book of grand social theory I have ever read, The Explanation of Social Action, says the following about the suspicion of first-person perspectives in social theory: “Social science rejects the possibility of building on first-person explanations because, to be blunt, it distrusts persons and their cognitions”. Quite. Just because this attitude can come wrapped in protestations of it’s own political significance, sprinkled with avant-garde post-Marxist populism or anti/post-humanist self-righteousness, doesn’t mean that the basic point doesn’t still hold: the disdain shown towards the viewpoints, opinions, perspectives – the words – of ordinary informants in cutting-edge cultural theory these days carries its own political imprint, one which denies the shared, levelled conditions of the very possibility of social science description in its assertion of the self-centred authority of the academic voyeur, freed by theoretical fiat from accountability to the utterances, the contra-dictions, of their research subjects.