I participated in an ESRC-sponsored seminar last week on the theme of the politics and economies of attention, which was interesting and fruitful in all sorts of ways. Lots of the work on this topic turns around a distinction between ‘good’ forms of attention, which is focussed and contemplative and “deep”, and ‘bad’ forms of attention, which is fleeting, distracted. A certain sort of reading of a certain sort of text is the model against which other forms of attention are often judged in a great deal of high theorizing on this topic.
Trying to find something interesting to say about this topic made me aware of how the ways in which I work, both in relation to reading and writing, do not quite conform to the expected model of scholarly attention. I read with the TV on, and write while listening to music or the radio, and not serious Radio 3-type music either (it’s generally a matter of choosing between Taylor’s 1989 and Ryan’s 1989). This way of working may or may not be reflected in the depth of understanding of ideas and thinkers displayed in the things that I write. I actually find it rather odd to write, in particular, in silence. I am still in recovery from having finished a book manuscript, and found myself today, while sitting in a hairdressers, not having my hair done, constructing a list of songs that, more or less tangentially, capture something of the experience of writing the sort of book I have been trying to write for the last year and a half: